Sasha Huber, KARAKIA, The Resetting Ceremony, 2015 / Video still / Photo Tom Hoyle / Courtesy of the artist
Sorry, the Hardest Word?
November 7–30, 2023
Zavod P.A.R.A.S.I.T.E.
Ljubljana, Slovenia

Zavod P.A.R.A.S.I.T.E. is pleased to announce the opening of the exhibition Sorry, the Hardest Word? curated by Suzana Milevska that will take place in the frame of the celebration of its 30th anniversary at the P.A.R.A.S.I.T.E. Museum of Contemporary Art. Sorry, the Hardest Word? presents artistic endeavours predicated on the urgent need to ponder the complex phenomenon of apology, and what should come after apologising. The exhibition points to the potentialities of various artistic practices for challenging the protocols of political, institutional, collective, or interpersonal apologies. One of the pivotal propositions of Sorry, the Hardest Word? is that the participatory artistic strategies and initiatives such as the renaming, redistribution, boycotts, calls for divestment, reconciliation, and repara­tions can instigate new formats of apology and social transformation.

The invited artists and art projects (video essays, photographs, draw­ings, prints, and participatory installations) look at different apologetic narratives and psychogeographies, and phenomena and events that call for not yet issued apologies. The P74 Gallery will eventually be transformed into a kind of spatialised essay that will present the curator’s archive that consists of Apologoscapes – a participatory Spotify playlist, quotes of renowned apologies, and recorded video and written conversations. An apology is mostly re­lated to getting to terms with shame, guilt, and individual and collective memory of past traumas and ethical misconducts. Each ‘sorry’ implicates the ‘apologising subjects’ in a complex grid of relation­ships (e.g. of acceptance, ignoring, rejection) with the subjects to which they ‘apologise.’ Therefore, questions such as who needs to apologise and who has the right to do it are as relevant as how to apologise without inducing ever more harm, hierarchies, and traumas.

Time and again, we witness how people fail while trying to issue an apology. Irrespectively of whether the apologising subjects are celebrities, academics, politicians, or ordinary people, they have something in common: either the difficulty of uttering the words ‘I am sorry’, or the easiness of issuing an apology – and making wrongful decisions of what to say or do next. The potentiality of an apology to instigate eventual amends is hindered by its own wording and contextual proto­cols. Thus, despite the promise of forgiveness and reconciliation, many apologies end as mere excuses, symbolic gestures, or in J. L. Austin’s terms: ‘unsuccessful speech acts’.

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A cross-disciplinary seminar titled Apologoscapes: (Counter)productivities of apologies in politics, art, and institutional infrastructures – will take place on 8 November 2023 at the Institute of Culture and Memory Studies ZRC SAZU. The seminar’s co-curators Gal Kirn, Katja Kobolt, and Suzana Milevska invited academic researchers, artists, and curators to discuss the topic of apology from various perspectives. ZRC SAZU will host the seminar – in partnership with the Faculty of Arts, the University of Ljubljana, and Zavod P.A.R.A.S.I.T.E.

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    The German dramatist Heiner Müller observed that German history lies as if smothered by a rheumatism blanket: beneath there is warmth and stagnation, just enough to give the impression all is well, while the peripheries are freezing. Georg Kussmann’s photographs in FRG were created under this metaphoric blanket. Made in the Federal Republic of Germany over a single summer, they depict everyday scenes of life, work, and leisure (more…)