The solo exhibition by the Dutch artist Han Schuil will be on display in Landhuis Oud Amelisweerd from September 2 to November 12, 2023. Schuil will use the historical chambers of the country manor to exhibit paintings from the past twenty years.

Han Schuil (Voorschoten, 1958) has managed to build up a consistent and, above all, idiosyncratic oeuvre over the past forty years. (more…)

Remai Modern and McMichael Canadian Art Collection are proud to present a survey exhibition of Meryl McMaster, whose groundbreaking large-scale photographic works reflect her mixed Plains Cree/Métis, Dutch and British ancestry. (more…)

Punta della Dogana presents the thematic exhibition Icônes which proposes a reflection on the theme of the icon and the status of the image in the contemporary world through a selection of more than 80 works (more…)

The Edith-Russ-Haus is pleased to present the video installation titled The Boat People by Tuấn Andrew Nguyễn in the Pulverturm (Powder Tower), which belongs to the former castle wall of Oldenburg and is the only remaining building of the fortifications of the city. Its history goes back to 1529, when Count Anton I (1505–1573) renewed the city’s military facilities. (more…)

Beginning in 2023 BusanMoCA Platform: Ingredients Mining is to be an annual program held by Busan Museum of Contemporary Art with the aim of exploring, manifesting, and disseminating ongoing social concerns and reflections on ecosystems and the environment (more…)

Contemporary Fine Arts is pleased to present rarely shown works from Ottinger’s early years in Paris in their new gallery space in Basel. These are not only stunning works of her own pictorial language, they also foreshadow Ottinger’s later cinematic idiom, which launched her on an impressive worldwide career as a film artist. (more…)

“Only visual art bears materiality. Other forms of art, such as poetry, literature, film, and music, do not exist in flesh. It is because of this materiality that the value of visual art is determined by an estimated worth. The conceptual art that constitutes the bedrock of my practice is fundamentally founded on the commitment to removing all materiality from visual art.” (more…)

Bad Timing – or How to Write History Without Objects is based on the historical exhibition Women Artists’ Retrospective Exhibition from 1920, where 200 female artists (both living and dead) exhibited almost 700 works at Den Frie. (more…)

To tell your own story (Comment se raconter) brings together stories from behind the scenes of grand history, from society’s margins. The featured artists come from different horizons; they share stories through videos, sculptures, letters, and images. In our post-truth age, we are witnessing a fragmentation of collective narratives. (more…)

Dream Machines, curated by Daniel Birnbaum and Massimiliano Gioni, is a small exhibition that explores the impact of technology on human imagination. The emergence of a new medium always gives rise to new possibilities for art, (more…)

The catalogue Friedrich Einhoff. 100+ includes 100 works on paper by the Hamburg-based artist Friedrich Einhoff (1936–2018) as well as 32 further works on canvas dating from various periods of his work. Einhoff’s pieces, which employ a wide range of painting and drawing techniques, all revolve around the central image of humankind (more…)

For the sixth consecutive year, GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo returns to occupy the prestigious Palazzo della Ragione venue, in the beating heart of the historic city center, with a new exhibition featuring the internationally renowned British artist Rachel Whiteread, (more…)