The exhibition WHOLE DEARTH CATALOG & GOOD ROTTEN GOODS gathers sculptures as an open and unfinished work, whose material composition transforms the non-finito of sculpture into a metabolic infinito. Feuerstein’s sculptures are crafted from PHB (Polyhydroxybutyrate), for which bacteria function as actors by metabolizing fatty acids enriched in algae. The bacteria simultaneously functioning as “quarry” and “chisel”, producing a new material, partially digesting it, and altering its form.
In contrast to modernist-linear production chains, leading from the assembly line through consumption to disposal, Thomas Feuerstein is referencing the metabolically organized cyclic “Ourobokratie”. In this he is citing the self-devouring mythical creature Ouroboros, that is a symbol of self-contained and recurrent transformation process of matter.
The exhibition title underscores this by playfully modifying the legendary Whole Earth Catalog, published as a counterculture magazine by Stewart Brand between 1968 and 1972. The Earth, its biosphere, atmosphere, and richness in resources and biological diversity become scarce. “Earth” transforms into “dearth”. And “dearth” through its etymological connection to “dear” and “dearness”, conveys a longing born from scarcity for what is most missed and needed: be it friendship or love, food, energy, or information, justice, happiness, or knowledge, resources, prosperity, or the future.
WHOLE DEARTH CATALOG & GOOD ROTTEN GOODS forms the fifth chapter of Thomas Feuerstein’s METABOLICA-project, guiding us into a factory of life and narrating a history of change: from the industrial revolution to the present and future, from whaling to petrochemistry to utopian scenarios of biochemistry. Living organisms like algae and bacteria become collaborators in Feuerstein’s work, leading to new aesthetics and artistic practice through scientifically developed processes. Chapters two and five will be on display at ZKM in Karlsruhe until February 2024, while the first chapter was exhibited at NOI Techpark in Bozen until November 2023, in collaboration with Museion Bozen.