Todd Hido
Todd Hido
Photographer
Featured Profile

Todd Hido is a San Francisco Bay Area-based artist whose work has been featured in Artforum, The New York Times Magazine, Eyemazing, Wired, Elephant, FOAM, and Vanity Fair. His photographs are in the permanent collections of the Getty Museum, the Whitney Museum of American Art, the Guggenheim Museum, New York, San Francisco Museum of Modern Art, the de Young Museum, the Smithsonian, the Los Angeles County Museum of Art, as well as in many other public and private collections. Most notably, Pier 24 Photography holds the archive of all his published works. He has over a dozen published books; his monograph titled Excerpts from Silver Meadows was released in 2013, along with an innovative B-Sides Box Set designed to function as a companion piece to his award-winning monograph. Aperture has published his mid-career survey entitled Intimate Distance: Twenty-Five Years of Photographs, a Chronological Album in October of 2016. His book titled Bright Black World was released by Nazraeli Press in the fall of 2018.

Featured in:
Bright Black World / Todd Hido
Future Now Symposium 2019
This Side of Paradise
Rencontres d’Arles 2018
The Open Road

OTHER ANNOUNCEMENTS & EVENTS
  • Jyll Bradley / Within a Budding Grove
    Sep 21–30, 2023
    Pi Artworks
    London, UK

    Within a Budding Grove takes its title from the second volume of Proust’s In Search of Lost Time, which follows the protagonist’s adolescence and his increasing sense of self-awareness. As a teenager, Jyll Bradley spent a lot of time sitting in her family’s greenhouse in rural Kent observing the play between sunlight and glass, a visual language that has remained integral to her work since the 1980s. (more…)

  • Mat Collishaw: Alluvion
    Jun 6 – Oct 15, 2023
    M77 Gallery
    Milan, Italy

    Alluvion, an exhibition of the works of British artist and intellectual Mat Collishaw, curated by Danilo Eccher, will be open to the public at M77 Gallery, Via Mecenate 77, from June 7 to October 15, 2023. Alluvion represents a new landscape modelled by material deposited by floodwaters, just as digital media floods our daily life and changes the social co-ordinates through which we manage communication, making us dependent on a world increasingly mechanised and controlled by technology, an image we find in most of Collishaw’s work. (more…)