Inspired by 16 years of shooting some of the biggest names in the music world, witnessing the rise and fall of pop icons, and watching descents into madness, Collins created two fictional music groups exclusively for this publication.

Born in St. Paul, Minnesota, Bill Phelps has built an impressive career despite having no formal art training, lending his talents to Italian Vogue, French Marie Claire, Conde Nast Traveller UK, The New York Times Magazine, Fortune, and Interview, and picking up both an IPA Lucie Award and the Grand Prize of Portraits for the World Press Photo.

LongHouse welcomes the world-renowned Irish American artist Sean Scully into the garden with his colored stack entitled 48, 2024, a work that epitomizes his deliberate use of stripes and color, with gestures toward land, sea, and sky.

Documenta und Museum Fridericianum gGmbH is a non-profit organization supported and funded by the City of Kassel and the State of Hesse, as well as by the German Federal Cultural Foundation.

In a softly shimmering blue, then brown, then green, then gray, then pink, then green, then violet, then blue again, the colors of present day New Mexico landscapes are layered horizontally.

i-D has built its reputation on being a consistent source of inspiration in fashion culture. It began as a fanzine dedicated to the street style of punk-era London in 1980, and quickly earned its position at the vanguard of fashion and style, abiding by the premise of originate – don’t imitate.

Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.

Printed Matter is thrilled to announce the second [#2424-1, 1999] and third [#3878, 2005] in a series of three fundraising Risograph-print editions by the artist Todd Hido. These two images bookend Hido’s most recent Risograph print...

For its 2026 international conference, Making Futures (TM) will explore the relationship between objects, material intelligence and the emotional encounters we design with and through the natural world around us.

Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…

Anna Hulačová’s figurative sculptures combine influences from Surrealism, Socialist Realism, and Czech folk art to create a distinctive cosmos of their own. Schirn Kunsthalle Frankfurt is presenting the artist’s first solo exhibition in Germany…

untame flow stay release presents artistic practices undertaken in response to unjust, environmentally toxic and ableist structures – systems that continue to suppress individuals and communities by individualizing violence...

Swedenborg House is pleased to announce Visionary Landscapes, an exhibition exploring the relationship between landscape, imagination and visionary states. Curated by Museum Director Stephen McNeilly, the exhibition brings together historic works in dialogue...

Housekeeping in a Dangerous Time looks into artistic practices that engage with the contemporary forces shaping intergenerational ties and the distinctions between life stages.

After the success of the exhibition “Fashion Folklore”, the Mucem dedicates its 2026 season to Mossi Traoré, a singular voice on the French fashion scene, for whom couture becomes a field of experimentation...

Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…

The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.

Reflecting on loss, resilience and the power of rebuilding, “Forever Marked By The Day: A Quarter Century of Mourning and Renewal” marks 25 years since the attacks on Sept. 11, 2001. Approached through an architectural lens, the exhibition fosters intergenerational dialogue...