Franco Vaccari, Photomatic d'Italia, 1973–74. Photo Lasagni / Courtesy P420, Bologna
Voicing the Archive
May 9–16, 2023
Triennale Milano / NABA
Milan, Italy

Voicing the Archive stems from the desire to unite and record fragmented and sometimes distant identities, bringing them together to produce often spatial and timeless dialogues and exchanges. By so doing, the intention is to create new approaches and perspectives in archiving, allowing us to reflect critically and in-depth on the search for its ontology.

The archive symbolises a portal capable of uniting and mixing different realities, allowing for new fusions and connections in a continuous evolution. It is a physical and personal place, it is memory, power, public and private dimension; an alternative source of inspiration to the traditions and memories of the world, and it is here that the unceasing stratification and de-stratification of time can offer new possibilities for change. Archiving can be a participatory device of reinterpretation and subversion, which allows history to be rewritten by giving voice to unrealised futures and unfinished pasts.

The May 9 opening will be accompanied by a series of performances taking place in the Spazio Lab and Giardino di Triennale Milano. On May 16, the final event will see a public and immersive speech about the possibilities of the archive. Here, the exhibition concept and the emerging artists’ practices will be explored through seven focuses. NABA students and alumni will describe the plurality of meanings. They will explore the deepness of the lake – the metaphor at the core of the exhibition project. Such a lake hides, reveals, guards, sediments and raises non-linear fragments to tell and rewrite history. Next to it, Marco Scotini will present L’inarchiviabile. L’archivio contro la storia (Meltemi editore) in a dialogue with Luca Cerizza, curator, art critic and NABA lecturer, and Luca Vitone, artist and NABA lecturer..

Voicing the Archive comes from a draft of Andris Brinkmanis (Bachelor of Arts in Painting and Visual Arts Course Leader at NABA) and Marco Scotini (Visual Arts Department Head at NABA).

The works of art are by BA in Painting and Visual Arts students and MA in Visual Arts and Curatorial Studies students from NABA, from both Milan and Rome campus.

  • Polly Braden: Leaving Ukraine
    Mar 15 – Sep 15, 2024
    Foundling Museum
    London, UK

    Polly Braden: Leaving Ukraine is an intimate portrait of women, forced to leave their homes following the Russian invasion of Ukraine on 24 February 2022. In this new series of work we see the extraordinary journeys undertaken by mothers, daughters, teenagers and babies in arms. Since the outbreak of the war in Ukraine, Polly Braden has used her camera to document the lives of women and children unexpectedly scattered across Europe. (more…)

  • ICON – O – STASYS
    May 31 – Nov 3, 2024
    Stasys Museum
    Panevėžys, Lithuania

    On this day… Stasys arrives back at his home village, Lepšiai… It all happens in May 2024… That’s when the Stasys Museum opens up to the public, a museum titled after him. This was never predicted – the future from there, a little village, in the house within a disorderly wooden structure, run down with dripping roofs, filled with bellowing, roaring farm animals… No fairy tales could be heard there… But just one hour’s walk away from Lepšiai, the white rectangular building stands proudly in the city centre (more…)

  • Yuwei Tu: Wherever Your Mother’s Shadow Falls
    May 4 – Jun 15, 2024
    Rusha & Co.
    Los Angeles, USA

    Rusha & Co. is pleased to announce Yuwei Tu: Wherever Your Mother’s Shadow Falls, the inaugural solo exhibition by the artist. Drawing inspiration from Ocean Vuong’s poem of the same title, this presentation of works echoes similar themes, exploring the complexities of self and felt emotion. Yuwei’s work examines themes of love, loss, and solitude. Wherever Your Mother’s Shadow Falls is an ode to maternal relationships, an introspection of consciousness and a slow contemplation of self-acceptance. (more…)