Electric Swan / Director Konstantina Kotzamani
We Are One
A Global Film Festival
Starting May 29, 2020
Online / International

This online film festival is born out of the idea that the film community can come together in times of crises, both in celebration of films and in support by providing much needed relief for Covid-19 efforts.

Each film or program will have a first screening at a scheduled time and many of the films available on VOD to watch through the course of the festival. All the films and programs are made available for free during this limited time to raise funds for Covid-19 relief.

The festival will feature programming curated by many festival organizations, including Cannes Film Festival, New York Film Festival, Rotterdam International Film Festival (IFFR), Sarajevo Film Festival, Sundance Film Festival, Sydney Film Festival, Tokyo International Film Festival, Toronto International Film Festival, Tribeca Film Festival and Venice Film Festival, and others.

  • Chantal Joffe
    Artist
    Featured Profile

    Chantal Joffe brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Hers is a deceptively casual brushstroke. Whether in images a few inches square or ten feet high, fluidity combined with a pragmatic approach to representation seduces and disarms. (more…)

  • Farah Al Qasimi: Hello Future
    Publication
    Capricious
    International

    Hello Future is a culmination of Al Qasimi’s photographic, performance and film practice, unified within her keen focus on surface and texture, and the revealing visual influences of the splashy and florid. Farah is a bright and rising multidisciplinary artist whose work examines postcolonial structures of power, gender and aesthetic in the Persian Gulf states and global cultural confluence and migration at-large. (more…)

  • Polly Braden: Leaving Ukraine
    Mar 15 – Sep 15, 2024
    Foundling Museum
    London, UK

    Polly Braden: Leaving Ukraine is an intimate portrait of women, forced to leave their homes following the Russian invasion of Ukraine on 24 February 2022. In this new series of work we see the extraordinary journeys undertaken by mothers, daughters, teenagers and babies in arms. Since the outbreak of the war in Ukraine, Polly Braden has used her camera to document the lives of women and children unexpectedly scattered across Europe. (more…)

  • Dia Center
    New York / Beacon, USA
    Featured Profile

    Dia Center was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope. To suggest the institution’s role in enabling such ambitions, they selected the name “Dia,” taken from the Greek word meaning “through.” (more…)

  • Adraint Khadafhi Bereal: The Black Yearbook
    Publication
    4 Color Books / Penguin Random House
    International

    When photographer Adraint Bereal graduated from the University of Texas, he self-published an impressive volume of portraits, personal statements, and interviews that explored UT’s campus culture and offered an intimate look at the lives of Black students matriculating within a majority white space. Bereal’s work was inspired by his first photo exhibition at the George Washington Carver Museum in Austin, entitled 1.7, that unearthed the experiences of the 925 Black men that made up just 1.7% of UT’s total 52,000 student body. (more…)

  • Mikel Bastida: Anarene
    Publication
    Tipi Photo Bookshop
    International

    Anarene is a book that was born from an eight-year photographic project made by Mikel Bastida in the United States. In the spirit of referencing the ghost town in Archer County, Texas, portrayed in Peter Bogdanovich’s film adaptation of Larry McMurtry’s novel The Last Picture Show, the author has traveled the country looking for images and stories that cinema has left behind. (more…)

  • Georg Kussmann: FRG
    Publication
    MACK
    International

    The German dramatist Heiner Müller observed that German history lies as if smothered by a rheumatism blanket: beneath there is warmth and stagnation, just enough to give the impression all is well, while the peripheries are freezing. Georg Kussmann’s photographs in FRG were created under this metaphoric blanket. Made in the Federal Republic of Germany over a single summer, they depict everyday scenes of life, work, and leisure (more…)

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