Helen Cammock
What Can Be Done
Oct 13, 2019 – Feb 16, 2020
Collezione Maramotti
Reggio Emilia, Italy

These works by Helen Cammock interweave women’s stories of loss and resilience with 17th Century Baroque music by female composers, exploring lament in women’s lives across histories and geographies.

Helen Cammock, winner of the 7th Max Mara Art Prize for Women and nominee for the 2019 Turner Prize, after a premiere at Whitechapel Gallery in London, will be presenting her new exhibition Che si può fare / What Can Be Done at Collezione Maramotti, which is acquiring the works on view. The show will be adapted to the different space and also include an additional piece, an artist’s book made in July at the Istituto Centrale della Grafica in Rome.

  • Mary Heilmann / Daydream Nation
    May 2 – Jul 26, 2024
    Hauser & Wirth
    New York, USA

    “A body of work starts by daydreaming…” –Mary Heilmann

    On May 2nd, we will open ‘Daydream Nation’ at its 22nd Street gallery, exploring Mary Heilmann’s ongoing interest in drawing as a form of transcribing memory. Curated by artist Gary Simmons, Heilmann’s friend and former student and colleague at New York’s School of Visual Arts, the exhibition celebrates her talent for distilling complex images and ideas into deceptively simple geometric forms and abstract gestural marks. (more…)

  • A Model
    Feb 9 – Sep 8, 2024
    Mudam
    Luxembourg

    We all have ideas of what a contemporary art museum should be. Those who founded Mudam Luxembourg, for example, envisioned a museum that would encompass many aspects of contemporary culture, such as art, design and architecture. While one believes the museum to be a place for the presentation of modern art, others view it as a showcase for Luxembourgish creation. And some see Mudam as a space for collectivity, for openness, for events and an experimental approach. (more…)

  • Reine Paradis: Aurora
    Jun 27 – Jul 26, 2024
    König Galerie
    Mexico City, Mexico

    KÖNIG MEXICO CITY is pleased to present AURORA, an exhibition by multidisciplinary artist Reine Paradis, showcasing self-portrait photographs, paintings, sculptures, and a video installation from her two previous series, Jungle and Midnight. Her signature colors radiate off the surface with the use of deep blues, neon yellows, and bright oranges, all meticulously refined through a painstaking process. This collection of works dives into the surreal world and psyche of Paradis (more…)

  • Fumi Nagasaka: Dora, Yerkwood, Walker County, Alabama
    Publication
    Gost
    International

    During the 2016 US Presidential elections Japanese photographer, Fumi Nagasaka, became intrigued by the rural and southern USA. She had lived in New York City for a decade but despite travelling the world, had yet to visit the rest of the US. All this changed when her friend, Tanya Rouse, invited her to her hometown of Dora, Alabama. Nagasaka continued to visit Dora over several years, gradually building a photographic archive of her visits. (more…)

  • Rencontres d’Arles 2024
    Beneath The Surface
    Jul 1 – Sep 29, 2024
    Arles, France

    Tremors and turmoil, spirits, traces, parallel readings and rereadings all constitute new perspectives underlying the 2024 edition of the Rencontres d’Arles. Photographers, artists and curators reveal their visions and stories, not least that of our humanity, by turns thwarted, in endless redefinition, resilient, but also visionary. Whether on the margins or established at the center, the narratives lead to divergent, multiple paths, all emanating from the faults in a porous surface: they intertwine, superimpose and overlap. (more…)

  • Helen Cammock: I Will Keep My Soul
    Publication
    siglio
    International

    Convening polyphonous voices from past and present, I Will Keep My Soul is an orchestral layering of photography, historical documents, poetry and interviews, all rooted in the social history, geography and community of New Orleans. In this prismatic artist’s book, UK-based artist Helen Cammock traverses the city, rendering her observations and encounters into reverberant texts and percipient photographic images that tender the city’s invisible histories. (more…)

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