Born on May 1, 1968 in Bordeaux, France, Alain Laboile is a photographer and father of six. In 2004, as he needed to put together a portfolio of his work as a sculptor, he acquired a camera, and thus developed a taste for macrophotography (more…)

In Episode 186 The United Nations of Photography founder and curator Grant Scott is in his shed reflecting on commitment to photography and photographers, never getting old, questioning funded photographic institutions (more…)

This exhibition explores the relationship between colonialism and the global financial system. Dutch financial innovations, but also people – bankers, investors and savers – played an essential role in financing colonial campaigns and slavery plantations. (more…)

Museum Villa Stuck presents Alice Rekab’s first institutional solo exhibition in Germany. Rekab explores cultural and personal narratives – stories that are told about us and by us. (more…)

It is with great pleasure that the Hiroshima City Museum of Contemporary Art presents Before/After, a special exhibition commemorating the completion of a major renovation project at the museum that was conducted over a period of some two years and three months. (more…)

Doug Aitken is an American artist and filmmaker. Defying definitions of genre, he explores every medium, from film and installations to architectural interventions. (more…)

Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. (more…)

Chantal Joffe brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Hers is a deceptively casual brushstroke. (more…)

Sean Scully is one of the most important painters of his generation. While known primarily for his large-scale abstract paintings, Scully also works in a variety of diverse media, including printmaking, sculpture, watercolor and pastel.

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Artists and their practice are the core commitment of WIELS, therefore the process of conception, creation and production is made possible on a daily basis, discretely but consistently, remote from public exposure. WIELS offers a program oriented on practice, critical reflection, dialogue with peers, contacts with audiences. (more…)

After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.

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In the late summer of 2016, I spent six weeks in the Inner Mongolia Autonomous Region where I documented the transformation of some of the most influential cities in the region: Ordos, Hohhot, and Baotou. While looking back on the images I had taken, I was unexpectedly reminded of post-war Italian cinema (more…)