Christiane Möbus, The unnecessary betrothal of Mrs. Holle to the shaman, or: A New Life, 1971/72 / Photo Renate Altenrath / Courtesy of VG Bild- Art, Bonn, 2023
WITCHES! About bodies, knowledge and power
Oct 7, 2023 – Jan 14, 2024
Museum im Kulturspeicher
Wurzburg, Germany

From the 15th century to the present day, this theme has also been used to shape a wide variety of images of femininity in art: the ugly old woman as well as the young, seductive femme fatale. The witch was and is a fascinating motif in works since Albrecht Dürer and Hans Baldung Grien. Since the beginning of the 20th century, the male perspective on the subject has been contrasted with a female, positive view, for example by the Jewish artist Teresa Feodorowna Ries or the expressive dancer Mary Wigman, which found further development in the feminist art of the 1970s. Cruelty and oppression, depravity and seduction, physicality and spirituality resonate in the artistic representations just as much as the breaking of conventions and female self-assertion.

The unbroken fascination for the ambivalent figure of the witch is contrasted with a brutal historical reality: With the witch hunts, thousands of innocent people were tortured and cruelly murdered in Europe. Although Würzburg was a centre of persecution in the 17th century – Prince-Bishop Philipp Adolf von Ehrenberg had hundreds of people condemned as witches in only four years from 1626 to 1630 – the dark chapter of the city’s history has hardly been present in the public consciousness so far.

Now there are plans for a witch monument in the city; the exhibition WITCHES! is also intended to stimulate discussion and pose questions about the origins and mechanisms of stigmatisation and social exclusion and about the image of women manifested in the figure of the witch from early modern times to the present. Historical depictions are juxtaposed with approaches by contemporary artists and show the relevance of the topic for the present.

  • Emilio Prini: …E Prini
    Oct 27, 2023 – Mar 31, 2024
    Rome, Italy

    …E Prini is the most extensive exhibition ever dedicated to the work of Emilio Prini (Stresa, 1943–Rome, 2016). Comprising of over 250 works, the exhibition project, realized in collaboration with the Archivio Emilio Prini, is conceived according to a chronological path which spans fifty years, from 1966 to 2016, to reconstruct the work of one of Italy’s most complex and enigmatic artistic figures from the recent past, whose work has not been fully surveyed to this day. (more…)