neugerriemschneider is pleased to present know thyself, Ai Weiwei’s fifth solo exhibition with the gallery. Opening at our Christinenstrasse location to coincide with Berlin Art Week and the fall edition of Gallery Weekend Berlin, Ai here continues his extended engagement with imagery created from Lego bricks to reassess, de- and reconstruct or contextualize anew works from throughout art history and the contemporary media landscape. (more…)

Created in 1973, the video work Three Transitions was produced at Boston’s WGBH-TV public television station through their “New Television Workshop” fellowship program. Since its initial presentation at Bykert Gallery that same year, Three Transitions has been exhibited at numerous institutions, (more…)

On the horizon of the district between old, handmade fences and the sky, you can see the newly built glass skyscrapers in the bright light of the coastal center of the city, as if portending future innovations of Bayil. (more…)

Channeling presents new acquisitions alongside other works from the MUSEUM MMK FÜR MODERNE KUNST’s collection. Different perspectives may emerge in the space between objects. This space relates to the distance of time between the works’ making and their positioning in the exhibition. The collection was formed in 1981, and the museum opened in 1991. How have sensibilities and discourses changed since the museum’s foundation? (more…)

Max Beckmann (1884–1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. (more…)

The idea of forming a group with a horizontal structure without the figure of a chief curator was suggested by the team of curators and is central to their project for the 35th Bienal. Diane Lima is an independent curator, writer and researcher; Grada Kilomba, an interdisciplinary artist, writer and academic (more…)

Remai Modern and McMichael Canadian Art Collection are proud to present a survey exhibition of Meryl McMaster, whose groundbreaking large-scale photographic works reflect her mixed Plains Cree/Métis, Dutch and British ancestry. (more…)

The Museum of Modern Art presents Ed Ruscha / Now Then, the most comprehensive retrospective of the artist’s work ever staged, and his first solo exhibition at the Museum, from September 10, 2023, through January 13, 2024. Organized in close collaboration with the artist and mirroring his own cross-disciplinary approach, the exhibition will feature over 200 works, (more…)

Zavod P.A.R.A.S.I.T.E. is pleased to announce the opening of the exhibition Sorry, the Hardest Word? curated by Suzana Milevska that will take place in the frame of the celebration of its 30th anniversary at the P.A.R.A.S.I.T.E. Museum of Contemporary Art. Sorry, the Hardest Word? presents artistic endeavours predicated on the urgent need to ponder the complex phenomenon of apology, and what should come after apologising. (more…)

Opening September 30 at the Miller Institute of Contemporary Art, Impossible Music brings together sounds, scores, sculptures, video, and live performances to extend discourses on conceptual and experimental music and explore its intersections across different art forms. Marking the first joint curatorial collaboration of curator Candice Hopkins, artist, composer Raven Chacon, with curator, researcher, Stavia Grimani, the interdisciplinary group exhibition features work by boundary-defying composers, artists, (more…)

This is the first book to present a comprehensive overview of Nan Goldin’s work as a filmmaker. Accompanying the retrospective show and tour of the same name, organized by Moderna Museet, Stockholm, the book draws from the nearly dozen slideshows and films (more…)

“What is your name?” “Where are you from?” “How did you end up here?” “Can you feel it?” “Does it hurt?” With these and other questions, the American artist Adam Pendleton’s solo exhibition at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-response network that articulates a sense of history as fragmented poetics. The exhibition will showcase a polyvocal assemblage of new and recent paintings, drawings, and video portraits that together reveal Pendleton’s interest in creating a conversation between mediums, as well as his belief in abstraction’s capacity to destabilize and disrupt. (more…)