Yu Ji, Flesh in Stone – Ghost NO.2, 2018
Yu Ji. Against Shadows
Jan 20 – Mar 5, 2022
Sadie Coles HQ
London, UK

In her first solo exhibition with Sadie Coles HQ, Yu Ji presents an array of new and recent works that span sculpture, installation, video and performance. The human body, both as a sculptural object and a condensed expression of action, is a sustained point of reference. Employing basic materials such as concrete, mortar and iron bars, her sculptures pursue ideas that have recurred in her work over the past decade – the potency of the fragment, the relationship between ‘original’ and ‘reproduction,’ and the tension between individual consciousness and mass urban experience.

Yu Ji has described her works as forming a landscape inside the gallery – a dispersed set of objects and ideas, variously impersonal and subjective. In a new sculptural assemblage, concrete torsos sit or lie in various states of brokenness, evoking fragments of ancient statuary. Their lopped limbs reveal sections of the iron bars that provide their internal structuring, so as to resemble a rubble of reinforced concrete. In places, the bodies have been augmented, filled in, by sections of cast soap that resembles wax, becoming hybrids of different casting materials, dually robust and dissolvable. The figures veer, too, between realism suggesting life casts from certain angles and a semblance of smooth, rounded anonymity.

  • Georg Kussmann: FRG
    Publication
    MACK
    International

    The German dramatist Heiner Müller observed that German history lies as if smothered by a rheumatism blanket: beneath there is warmth and stagnation, just enough to give the impression all is well, while the peripheries are freezing. Georg Kussmann’s photographs in FRG were created under this metaphoric blanket. Made in the Federal Republic of Germany over a single summer, they depict everyday scenes of life, work, and leisure (more…)

  • Shuang Li: I’m Not
    May 1 – Aug 25, 2024
    Swiss Institute
    New York, USA

    Swiss Institute (SI) presents I’m Not, the first institutional solo exhibition by artist Shuang Li, featuring newly commissioned sculpture and video installations. Li’s work explores how language, relationships and identities are formed and mediated through screens and the internet. For I’m Not, Li delves into her own life as a fan to ruminate on how these technologies inform the social bonds and materiality of fandom (more…)

  • Adraint Khadafhi Bereal: The Black Yearbook
    Publication
    4 Color Books / Penguin Random House
    International

    When photographer Adraint Bereal graduated from the University of Texas, he self-published an impressive volume of portraits, personal statements, and interviews that explored UT’s campus culture and offered an intimate look at the lives of Black students matriculating within a majority white space. Bereal’s work was inspired by his first photo exhibition at the George Washington Carver Museum in Austin, entitled 1.7, that unearthed the experiences of the 925 Black men that made up just 1.7% of UT’s total 52,000 student body. (more…)

  • Justinien Tribillon: Visible upon Breakdown
    Publication
    Spector Books
    International

    The space in which we live is determined by currents, by transitions. However, we are so used to moving around in this hypermodern world that we don’t even notice the currents that make up our lives. They are invisible, hidden in plain sight – until they collapse. The war in Ukraine is preventing the export of wheat, Covid-19 and timber shortages are making themselves felt in construction projects all over the world: These events are not just human tragedies, they are also an urgent reminder of global dependencies. (more…)

  • Dia Center
    New York / Beacon, USA
    Featured Profile

    Dia Center was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope. To suggest the institution’s role in enabling such ambitions, they selected the name “Dia,” taken from the Greek word meaning “through.” (more…)

  • Rodrigo Morales: 91 East
    Jun 1 – Aug 11, 2024
    GCAC / Grand Central Art Center
    Santa Ana, USA

    In the 1980s, a mere 234 warehouses dotted the landscape of the Inland Empire. Today, over 4,000 logistic centers have been implanted across the region in a rapid movement to bring commerce to the region. Once identified by its untouched land, the area has become enveloped by the sprawling network of warehouses that define the region’s skyline. As this part of Southern California quickly becomes the backbone of America’s road-based supply chain, it simultaneously introduces many repercussions to the daily lives of communities that call the Inland Empire home. (more…)

  • Roni Horn: Give Me Paradox or Give Me Death
    Mar 23 – Aug 11, 2024
    Museum Ludwig
    Köln, Germany

    Mu­se­um Lud­wig is pleased to pre­sent Roni Horn: Give Me Para­dox or Give Me Death, a so­lo ex­hi­bi­tion of works by in­flu­en­tial Amer­i­can artist Roni Horn. The ex­hi­bi­tion in­cludes over 100 works, span­n­ing from the be­gin­n­ing of the artist’s de­cades long ca­reer to pre­sent day. Roni Horn’s work spans from pho­tog­ra­phy to draw­ing, artist books, sculp­ture, and in­s­tal­la­tion. Be­hind this open­ness lies the artist’s un­der­s­tand­ing that ev­ery­thing in the world is mutable (more…)

  • Anne Imhof: Wish You Were Gay
    Jun 8 – Sep 22, 2024
    Kunsthaus Bregenz
    Bregenz, Austria

    Kunsthaus Bregenz is delighted to announce Wish You Were Gay, an exhibition by Anne Imhof. Spanning all four floors of KUB, Wish You Were Gay is simultaneously a personal survey and an all new body of work that reflects on and further develops a number of core elements that have constituted Imhof’s repertoire of artistic expression. Wish You Were Gay includes bas-reliefs, large scale oil paintings, sculptures, stage elements and stadium lighting, as well as new video works made of archival footage from her origins (more…)

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