Anouk Flesch
Photographer

Born in 1997, I am a Luxembourgish photographer based in both Luxembourg and Paris, with a special focus on portraits and sports photography. My daily inspirations to create photographic series are the arts and human movement.

Since I started my photography studies in 2017, I have been working as a freelance photographer for newspapers in Luxembourg. In 2020 I graduated from SPEOS Photographic Institute, Paris, in photo reportage.

Lately, I have been covering different types of sports events, such as Paris-Roubaix and the Cyclocross World Championships but also horserace’s in Paris Longchamp and in Luxembourg. Personal projects and series about people exercising their passion are as important in my body of work.

For example, during the lockdown in 2020, I worked on a portrait series of people practicing their sport outdoors to give their everyday life the structure that they lacked of during this time of uncertainty.

I also followed the behind-the-scenes preparations for the Paralympic Games of Timothée Adolphe, 400m world champion, blind since the age of 17. The high level French Paralympic athlete depends on a relationship of trust with his guides who accompany him throughout his training sessions and competitions.

In the future I aim to continue personal work about stories that attract me and working for the press, where I always look for personal images too.

Anouk Flesch
Photographer

Born in 1997, I am a Luxembourgish photographer based in both Luxembourg and Paris, with a special focus on portraits and sports photography. My daily inspirations to create photographic series are the arts and human movement.

Since I started my photography studies in 2017, I have been working as a freelance photographer for newspapers in Luxembourg. In 2020 I graduated from SPEOS Photographic Institute, Paris, in photo reportage.

Lately, I have been covering different types of sports events, such as Paris-Roubaix and the Cyclocross World Championships but also horserace’s in Paris Longchamp and in Luxembourg. Personal projects and series about people exercising their passion are as important in my body of work.

For example, during the lockdown in 2020, I worked on a portrait series of people practicing their sport outdoors to give their everyday life the structure that they lacked of during this time of uncertainty.

I also followed the behind-the-scenes preparations for the Paralympic Games of Timothée Adolphe, 400m world champion, blind since the age of 17. The high level French Paralympic athlete depends on a relationship of trust with his guides who accompany him throughout his training sessions and competitions.

In the future I aim to continue personal work about stories that attract me and working for the press, where I always look for personal images too.

  • Atiéna R. Kilfa: Special Effect
    May 4 – Sep 8, 2024
    Den Frie
    Copenhagen, Denmark
    With Special Effect, Atiéna R. Kilfa presents a new body of works consisting of a short film and two large scale pencil drawings. In continuation of Kilfa’s investigation and restructuring of cinematic archetypes, Special Effect homes in on the nondescript figure of a man sitting at a desk. Shot in black and white, the film eerily evokes a timelessness of the figure by bringing it in resonance with pictorial genres reminiscent of various eras from German Expressionist cinema to the golden age of Hollywood film noir, fast forward to its 4K quality of today. (more…)
  • Anne Imhof: Wish You Were Gay
    Jun 8 – Sep 22, 2024
    Kunsthaus Bregenz
    Bregenz, Austria
    Kunsthaus Bregenz is delighted to announce Wish You Were Gay, an exhibition by Anne Imhof. Spanning all four floors of KUB, Wish You Were Gay is simultaneously a personal survey and an all new body of work that reflects on and further develops a number of core elements that have constituted Imhof’s repertoire of artistic expression. Wish You Were Gay includes bas-reliefs, large scale oil paintings, sculptures, stage elements and stadium lighting, as well as new video works made of archival footage from her origins (more…)
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