Sons of Cain, written and directed by Keti Stamo, is set in a small village in northern Albania. In this place, time is suspended and the severe rules of an old code, Kanun, still dictate the life and death of the inhabitants.. (more…)
I grew up in Central Wisconsin and moved to Colorado a little over three years ago after college. I am drawn to color, geometry and the beauty found in day-to-day life, be it something mundane or something extraordinary. I love to tell stories, and I prefer them to be bright, exciting stories of love and travel and adventure. I’ve started shooting film again – it feels so good to hold a 35mm SLR in your hands and take a portrait of your friend, both of you knowing you’ll still have it in a box somewhere when you’re both 53–because I’ve found film to tell better stories, stories that are real and natural and seemingly uncensored. Film tells the truth when others cannot. As a moderate loner, I have always struggled portraiture (past works include lots of midsections and hands, but never the eyes), but I am proud to say this year I have actually begun photographing others and seen relatively pleasing results. It’s like discovering a new method of storytelling-one that somehow brings people together through genuine interest, under the guise of universal humanity. We’re all interested in the people around us. This has created within me the intense desire to photograph essentially everyone I meet, and I’m okay with that.
Sons of Cain, written and directed by Keti Stamo, is set in a small village in northern Albania. In this place, time is suspended and the severe rules of an old code, Kanun, still dictate the life and death of the inhabitants.. (more…)
William Eggleston is one of the most influential photographers of the latter half of the 20th century, credited with pioneering fine art color photography in his iconic depictions of the American South. (more…)
Newport Street Gallery is proud to present The Cloud of Witness, an exhibition of over 70 works by little-known Australian artist Keith Cunningham, which runs from February 16 – August 21, 2022. (more…)
Alec Soth’s work is rooted in the distinctly American tradition of ‘on-the-road photography’ developed by Walker Evans, Robert Frank, and Stephen Shore. From Huckleberry Finn to Easy Rider there seems to be a uniquely American desire to travel and chronicle the adventures that consequently ensue. (more…)
As of Friday, February 25, 2022, The Calvert Journal ceased publication until further notice. At a time when Russian acts of war are being committed in Ukraine, we cannot in good conscience continue our work covering culture and the arts like business as usual. (more…)
Using subtle methods and an economy of materials, Fred Sandback’s work creates striking perceptual effects in response to the surrounding architecture. (more…)
Max Beckmann (1884–1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. (more…)
Chantal Joffe brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Hers is a deceptively casual brushstroke. (more…)
For his 2022 New Museum Residency, movement artist and researcher Ilya Vidrin investigates the labor and moral textures of intimate physical care through discussion, experimental workshops, and live performance. (more…)