Austin Granger
Photographer
Born in San Francisco in 1970, Granger has worked as a baker, house painter, naval radar operator and camera salesman. He first began to photograph while studying philosophy in college as a way to get out of his head. Preferring to use traditional film cameras, Granger has come to see his photography as a spiritual practice – a way in which to shape his life and enrich his relationship with the world. He likes motorcycles a lot too.
Publications have included B&W Magazine (2003); Emulsion Magazine (2006); West Marin Review (2012); View Camera Magazine (2013) Looking Glass Magazine (2014); Manifest Magazine (2015); and Revue Météque (2015).
Exhibitions have included A Street Gallery, Santa Rosa, CA; CAC Gallery, Santa Rosa, CA; North Light Gallery, Napa, CA; Viewpoint Gallery, Sacramento, CA; and forthcoming Lightbox Gallery, Astoria, OR (March, 2018).
Austin Granger is the author of Elegy from the Edge of a Continent: Photographing Point Reyes.
Austin Granger
Photographer
Born in San Francisco in 1970, Granger has worked as a baker, house painter, naval radar operator and camera salesman. He first began to photograph while studying philosophy in college as a way to get out of his head. Preferring to use traditional film cameras, Granger has come to see his photography as a spiritual practice – a way in which to shape his life and enrich his relationship with the world. He likes motorcycles a lot too.
Publications have included B&W Magazine (2003); Emulsion Magazine (2006); West Marin Review (2012); View Camera Magazine (2013) Looking Glass Magazine (2014); Manifest Magazine (2015); and Revue Météque (2015).
Exhibitions have included A Street Gallery, Santa Rosa, CA; CAC Gallery, Santa Rosa, CA; North Light Gallery, Napa, CA; Viewpoint Gallery, Sacramento, CA; and forthcoming Lightbox Gallery, Astoria, OR (March, 2018).
Austin Granger is the author of Elegy from the Edge of a Continent: Photographing Point Reyes.
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The Shadow PandemicViolence against Women in Times of CovidThe U.N. has designated November 25th as International Day for the Elimination of Violence Against Women. By truism, this is a proposition that states really nothing beyond what is implied by its terms… (more…)
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I Remember NothingLIMITED EDITIONIn the midst of chaos we hunt for dreams. It blends together. Their memories became my memories. Once-present. A personal story of search and encounters, of escape and returning. (more…)
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New Year / 2023Semantic Shift, Option DeleteOnce again we arrive at the turning of another year. 2022 was a year unsparing of tension and conflict, uncertainty, and the highs and lows of human struggle. (more…)
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Notations on TimeJan 18 – May 20, 2023Notations on Time is a group exhibition that explores the philosophical and political dimensions of time through the works of 20 contemporary artists from South Asia and its diaspora. (more…)
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William EgglestonPhotographerWilliam Eggleston is one of the most influential photographers of the latter half of the 20th century, credited with pioneering fine art color photography in his iconic depictions of the American South. (more…)
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Good Morning, America / Vol. 1PublicationOver the past six years, photographer Mark Power has travelled across the US to create a complex visual narrative of a country in the midst of change. This new book, Good Morning, America (Volume One), represents a personal and timely exploration of both the American cultural and physical landscape (more…)
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Sunset on UkraineOctober 2022 / SnoeckMy earliest memory of Ukraine is like a snow globe where a simple shake spreads the tiny sequins into the atmosphere, silver flakes swarming slowly in the confined sky, covering the entire landscape. (more…)
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Women of MeridioneStrength in the Deep SouthPlaces with a strong soul, where the sea connects with the strength of women. In South of Italy passion and dignity along with spirituality and suspension can be seen through the cracks of the walls. (more…)
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The American Document / Part IIFractured States / Peter van AgtmaelAfter returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind. (more…)
