My personal work speaks mostly about the inner and hidden feelings inside me.
I think that it is impossible to separate how I feel from what I represent in my images.

When I was younger I used to draw a lot and create things. I’ve always felt an urge to express myself. Later on, growing up, this urge was shifted on photography. Like most of the teenage girls, I was insecure about myself, my body and my face. It was such a struggle standing the gaze, anyone’s gaze. And I also couldn’t stand the view of myself from the outside.

But then, mostly during the Academy studies, I started putting myself both behind and in front of the camera. I became the subject of my own photographs, and so of my own gaze. I tried to look at myself without any construction, any social construction on me as a woman, as a body.
Although my work literally contains all of me, my body and my feelings, I’m willing to step forward and speak about a general condition of discomfort in a society that puts lots of pressure on women and their images.

Another important issue in my work is love. Or rather, what we call “love” but which contains a much broader set of sensations. Being in a relationship causes me lots of different ways of feeling. To stand them, I need to understand them. And I try to do that through images and words.

I need to understand how bodies and skin can be bonded, and how bodies suffer the distance from each other. And also I feel really curious about the relationship between a man and his vulnerable intimate naked image reflected in the photographic form.

Nude occurs a lot in my work, not much as an erotic symbol, but more as a primordial way to communicate. Sometimes it becomes a provocation but again, not a provocative wink to the spectator, instead more a “declaration of possession” that allows me to represent myself as I want.