The Bienal de São Paulo was initiated in 1951 and is the second oldest art biennial in the world after the Venice Biennial, which was set up 1895 and served as its role model.
The Bienal de São Paulo was founded by the Italian-Brazilian industrialist Ciccillo Matarazzo (1898-1977). Since 1957, the Bienal de São Paulo has been held in the Ciccillo Matarazzo pavilion in the Parque do Ibirapuera. The pavilion was designed by a team led by architects Oscar Niemeyer and Hélio Uchôa, and provides an exhibition space of 30,000 m2. The Bienal de São Paulo features both Brazilian and international artists, and is considered to be one of the most important art exhibits in the country.
In 1962 the Fundação Bienal de São Paulo was created, taking over the exhibition organization that, up until then, had been under the successful management of the Museum of Modern Art of São Paulo, MAM-SP. The venue it occupies today came to house the biennials from its 4th edition onwards.
The Biennial’s initial aims are to make contemporary art known in Brazil, push the country’s access to the art scene in other metropolises and further establish São Paulo as an international art centre. The biennial serves to bring Brazilian art closer to an international audience, and vice-versa. The international exhibitions are held under the direction of rotating chief curators.
Since the 4th edition in 1957, the São Paulo Biennial takes place at the Pavilhão Ciccillo Matarazzo in the Parque do Ibirapuera. The pavilion was designed by a team lead by Oscar Niemeyer and Hélio Uchôa, and named after Francisco (Ciccillo) Matarazzo Sobrinho (1898-1977), the Biennial’s founder.
Sao Paulo Biennial

The Bienal de São Paulo was initiated in 1951 and is the second oldest art biennial in the world after the Venice Biennial, which was set up 1895 and served as its role model.
The Bienal de São Paulo was founded by the Italian-Brazilian industrialist Ciccillo Matarazzo (1898-1977). Since 1957, the Bienal de São Paulo has been held in the Ciccillo Matarazzo pavilion in the Parque do Ibirapuera. The pavilion was designed by a team led by architects Oscar Niemeyer and Hélio Uchôa, and provides an exhibition space of 30,000 m2. The Bienal de São Paulo features both Brazilian and international artists, and is considered to be one of the most important art exhibits in the country.
In 1962 the Fundação Bienal de São Paulo was created, taking over the exhibition organization that, up until then, had been under the successful management of the Museum of Modern Art of São Paulo, MAM-SP. The venue it occupies today came to house the biennials from its 4th edition onwards.
The Biennial’s initial aims are to make contemporary art known in Brazil, push the country’s access to the art scene in other metropolises and further establish São Paulo as an international art centre. The biennial serves to bring Brazilian art closer to an international audience, and vice-versa. The international exhibitions are held under the direction of rotating chief curators.
Since the 4th edition in 1957, the São Paulo Biennial takes place at the Pavilhão Ciccillo Matarazzo in the Parque do Ibirapuera. The pavilion was designed by a team lead by Oscar Niemeyer and Hélio Uchôa, and named after Francisco (Ciccillo) Matarazzo Sobrinho (1898-1977), the Biennial’s founder.
Sao Paulo Biennial

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Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.
Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.