BLUM represents more than sixty artists and estates from seventeen countries worldwide, nurturing a diverse roster of artists at all stages of their practices with a range of global perspectives. Originally opened as Blum & Poe in Santa Monica in 1994, the gallery has been a pioneer in its early commitment to Los Angeles as an international arts capital.
The gallery has been acclaimed for its groundbreaking work in championing international artists of postwar and contemporary movements, such as CoBrA, Dansaekhwa, Mono-ha, and Superflat, and for organizing museum-caliber solo presentations and historical survey exhibitions across its spaces in Los Angeles, Tokyo, and New York. Often partnering with celebrated curators and scholars such as Cecilia Alemani, Alison M. Gingeras, Sofia Gotti, Joan Kee, and Mika Yoshitake, the gallery has produced large-scale exhibitions focusing on the Japanese Mono-ha school (2012); the Korean Dansaekhwa monochrome painters (2014); the European postwar movement CoBrA (2015); Japanese art of the 1980s and 1990s (2019); a rereading of Brazilian Modernism (2019); a revisionist take on the 1959 MoMA exhibition, New Images of Man (2020); and a survey of portraiture through a democratic and humanist lens (2023); among others.
BLUM’s wide-reaching program includes exhibitions, lectures, performance series, screenings, video series, and an annual art book fair at its base in Los Angeles. BLUM Books, the gallery’s publishing division, democratically circulates its program through original scholarship and accessible media ranging from academic monographs, audio series, magazines, to artists’ books.
Across the three global locations, BLUM prioritizes environmental and community stewardship in all operations. In 2015, it was certified as an Arts:Earth Partnership (AEP) green art gallery in Los Angeles and consequently became one of the first green certified galleries in the United States. The gallery is also a member of the Gallery Climate Coalition, which works to facilitate a more sustainable commercial art world and reduce the industry’s collective carbon footprint. BLUM is committed to fostering inclusive and equitable communities both in its physical and online spaces and believes that everybody should have equal access to creating and engaging with contemporary art.
Blum and Poe
March Avery, Joe’s Lilies, 1997
BLUM represents more than sixty artists and estates from seventeen countries worldwide, nurturing a diverse roster of artists at all stages of their practices with a range of global perspectives. Originally opened as Blum & Poe in Santa Monica in 1994, the gallery has been a pioneer in its early commitment to Los Angeles as an international arts capital.
The gallery has been acclaimed for its groundbreaking work in championing international artists of postwar and contemporary movements, such as CoBrA, Dansaekhwa, Mono-ha, and Superflat, and for organizing museum-caliber solo presentations and historical survey exhibitions across its spaces in Los Angeles, Tokyo, and New York. Often partnering with celebrated curators and scholars such as Cecilia Alemani, Alison M. Gingeras, Sofia Gotti, Joan Kee, and Mika Yoshitake, the gallery has produced large-scale exhibitions focusing on the Japanese Mono-ha school (2012); the Korean Dansaekhwa monochrome painters (2014); the European postwar movement CoBrA (2015); Japanese art of the 1980s and 1990s (2019); a rereading of Brazilian Modernism (2019); a revisionist take on the 1959 MoMA exhibition, New Images of Man (2020); and a survey of portraiture through a democratic and humanist lens (2023); among others.
BLUM’s wide-reaching program includes exhibitions, lectures, performance series, screenings, video series, and an annual art book fair at its base in Los Angeles. BLUM Books, the gallery’s publishing division, democratically circulates its program through original scholarship and accessible media ranging from academic monographs, audio series, magazines, to artists’ books.
Across the three global locations, BLUM prioritizes environmental and community stewardship in all operations. In 2015, it was certified as an Arts:Earth Partnership (AEP) green art gallery in Los Angeles and consequently became one of the first green certified galleries in the United States. The gallery is also a member of the Gallery Climate Coalition, which works to facilitate a more sustainable commercial art world and reduce the industry’s collective carbon footprint. BLUM is committed to fostering inclusive and equitable communities both in its physical and online spaces and believes that everybody should have equal access to creating and engaging with contemporary art.
Blum and Poe
March Avery, Joe’s Lilies, 1997
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Visionary LandscapesOct 1 – Dec 16, 2026Swedenborg House is pleased to announce Visionary Landscapes, an exhibition exploring the relationship between landscape, imagination and visionary states. Curated by Museum Director Stephen McNeilly, the exhibition brings together historic works in dialogue...
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Lotta Antonsson: I Am EverythingApr 25 – Nov 29, 2026One of Sweden’s leading contemporary photographers, Lotta Antonsson, is coming to Fotografiska with I Am Everything. In this exhibition, the artist explores themes of gender, identity, and objectification within a visual world
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Ulrich Seidl: On Life, Love, and DeathSep 19, 2026 – Jan 31, 2027Eye Filmmuseum presents Ulrich Seidl – Über das Leben, die Liebe und den Tod, the first exhibition – and the first complete film overview – of the renowned Austrian filmmaker in the Netherlands.
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A Zona / Diogo SimõesPublication
A Zona is Diogo Simões’s first book. Twelve years in the making, it marks the arrival of a major force in Portuguese photography. All the photos were done in Margem Sul, Tagus river south bank, opposite Lisbon.
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Anna Hulačová: AbundantiaOct 1, 2026 – Jan 10, 2027
Anna Hulačová’s figurative sculptures combine influences from Surrealism, Socialist Realism, and Czech folk art to create a distinctive cosmos of their own. Schirn Kunsthalle Frankfurt is presenting the artist’s first solo exhibition in Germany…
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The Sacred Mountain / Jinjoon LeeOct 24 – Dec 19, 2026Opening at Gallery VER, Bangkok, on 24 October 2026 to mark the gallery’s 20th anniversary, Jinjoon Lee’s solo exhibition The Sacred Mountain asks what we hold sacred, and how we might sustain our relationship with nature and with machines...
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Studio Museum in HarlemNew York, USAThe Studio Museum in Harlem is the nexus for artists of African descent locally, nationally and internationally and for work that has been inspired and influenced by black culture. It is a site for the dynamic exchange of ideas about art and society.
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Kishio SugaLong-term viewKishio Suga brings together a representative group of the artist’s sculptures, dating from the 1960s to the ’90s, that probe the slippages between seeing and knowing. Works culled from Dia’s holdings are complemented by key loans...
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Ryuichi Sakamoto | Seeing Sound, Hearing TimeOct 31, 2026 – Mar 14, 2027Ryuichi Sakamoto | seeing sound, hearing time surveys the pioneering artistic practice of the late composer and artist Ryuichi Sakamoto (1952–2023) from the 2000s onward. The exhibition illuminates how Sakamoto transcended the boundaries of sound, image, digital technology...
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Ralph Steadman: And Another ThingAug 26 – Dec 13, 2026Ralph Steadman is one of the most influential British graphic artists of the last 50 years. He is famous for his long collaboration with Hunter S. Thompson, notably illustrating Fear and Loathing in Las Vegas, which inspired two films in 1979 and 1998.
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40th Anniversary Archival PresentationMar 19 – Dec 20, 2026The MIT List Visual Arts Center traces its origins to the Hayden Gallery (founded in 1950), which brought artists and the MIT community together through diverse exhibitions and residency projects.
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Mohammed Sami: HostlessOct 3, 2026 – Jan 3, 2027In his new body of work Hostless, Mohammed Sami focuses predominantly on internal spaces. The paintings become a site for mnemonic processes, mental operations in which abstraction falters and something unsettling begins to seep through.
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Housekeeping in a Dangerous TimeApr 24 – Dec 31, 2026Housekeeping in a Dangerous Time looks into artistic practices that engage with the contemporary forces shaping intergenerational ties and the distinctions between life stages.
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American Icon: The US Flag in ArtJun 6 – Dec 6, 2026
Across generations, the Stars and Stripes has inspired pride, protest, and profound artistic expression. From battlefields to modern cultural movements, our flag’s journey through art reveals a nation constantly redefining itself.
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Irène ZurkindenAug 27 – Dec 19, 2026Coinciding with Kunsttage Basel, this August we present a solo exhibition dedicated to the work of Swiss artist Irène Zurkinden (1909–1987) at our Basel gallery. Zurkinden defied easy categorisation, developing a distinctive painterly language...
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Lise SarfatiPhotographerBorn in 1958 in Oran, Algeria Lise Sarfati lives and works between Paris and Los Angeles and is represented by Yossi Milo Gallery, NY, Rose Gallery, LA, La Galerie Particulière, Paris.
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Carsten Höller: TwoJul 14, 2026 – Jan 31, 2027
UCCA Center for Contemporary Art presents “Carsten Höller: Two,” from July 14, 2026, to January 31, 2027. Featuring some of the artist’s most iconic works alongside a selection of new pieces, the exhibition unfolds as a “Laboratory of Doubt”…
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39th Panorama of Brazilian ArtSep 12, 2026 – Jan 24, 2027Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.
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