Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…
Bonniers Konsthall is a venue for Swedish and international contemporary art in the centre of Stockholm. Since the start in 2006, Bonniers Konsthall has exhibited and discussed contemporary art from all over the world.
All gallery hosts have profound knowledge in contemporary art, most of them also have their own artistic practice. Every day they offer open introductions aiming to provide the visitor with different entry points and perspectives on the exhibition. On weekends, knowledgeable guides and established artists give guided tours. Bonniers Konsthall has an active pedagogical approach, where school tours, workshops and family tours are important parts.
Operating on an international level, Bonniers Konsthall maintains an active dialogue and interchange with other Swedish and international cultural institutions, collaborating on exhibitions, educational programmes, and book publications. Bonniers Konsthall is also involved in more long-term research projects along with other cultural institutions and universities.
The institution has its roots in the Maria Bonnier Dahlin Foundation, which was founded in 1985 by Jeanette Bonnier in memory of her daughter Maria Bonnier Dahlin. Designed by architect Johan Celsing, the glass building in the shape of a flatiron has become a Stockholm landmark. It’s situated right next to the train tracks, a short walk from the central station. Magnus af Petersens has been Director of Bonniers Konsthall since April 2017, replacing Sara Arrhenius, who held the position since the Konsthall first opened in 2006.

Bonniers Konsthall is a venue for Swedish and international contemporary art in the centre of Stockholm. Since the start in 2006, Bonniers Konsthall has exhibited and discussed contemporary art from all over the world.
All gallery hosts have profound knowledge in contemporary art, most of them also have their own artistic practice. Every day they offer open introductions aiming to provide the visitor with different entry points and perspectives on the exhibition. On weekends, knowledgeable guides and established artists give guided tours. Bonniers Konsthall has an active pedagogical approach, where school tours, workshops and family tours are important parts.
Operating on an international level, Bonniers Konsthall maintains an active dialogue and interchange with other Swedish and international cultural institutions, collaborating on exhibitions, educational programmes, and book publications. Bonniers Konsthall is also involved in more long-term research projects along with other cultural institutions and universities.
The institution has its roots in the Maria Bonnier Dahlin Foundation, which was founded in 1985 by Jeanette Bonnier in memory of her daughter Maria Bonnier Dahlin. Designed by architect Johan Celsing, the glass building in the shape of a flatiron has become a Stockholm landmark. It’s situated right next to the train tracks, a short walk from the central station. Magnus af Petersens has been Director of Bonniers Konsthall since April 2017, replacing Sara Arrhenius, who held the position since the Konsthall first opened in 2006.

Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…
Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975
Tate, in collaboration with Delfina Foundation, invites applications for the Brooks International Fellowship Programme 2027. Now in its thirteenth year, the programme will enable practitioners to work with Tate…
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
Anna Hulačová’s figurative sculptures combine influences from Surrealism, Socialist Realism, and Czech folk art to create a distinctive cosmos of their own. Schirn Kunsthalle Frankfurt is presenting the artist’s first solo exhibition in Germany…