Bozar, the Centre for Fine Arts’ cultural project, offers a dynamic and diversified cultural programme of concerts and exhibitions: a multidisciplinary approach in which debates, theatre, cinema, literature and other disciplines meet to reflect on the connections between art and society.
The Centre for Fine Arts aims to be a European cultural centre, anchored in the 21st century, with a novel and innovative view of society, a laboratory of ideas attuned to society’s current and future challenges. In the coming decade, Bozar aims to embody change, and contribute to seven major and evolving societal challenges.
Sitting atop Coudenberg Hill, monumental and yet discreet, the Brussels Centre for Fine Arts is Belgium’s major cultural venue. In 1913, Queen Elisabeth and King Albert I expressed their desire to build “a temple devoted to Music and the Arts”. Designed by renowned Belgian architect Victor Horta (1861-1947), construction began after the First World War. Upon returning from his stay in the United States, Horta abandoned his flamboyant, industrial Art Nouveau style for the more monumental and geometric language of Art Deco. Inaugurated in 1928, the Centre for Fine Arts is a testimony to this aesthetic revolution. For nearly a century, the centre has hosted the art world’s crème de la crème, and it is where most of Bozar’s cultural and artistic activities are held.
Bio: Hrair Sarkissian / Main: Vivian Maier, Francesca Grilli, Benjamin Orlow, Eric Pauwels, Michel Francois, Gigo Gabashvili, Els Dietvorst, Rene Magritte, Laurie Anderson, Richard Mosse
Bozar, the Centre for Fine Arts’ cultural project, offers a dynamic and diversified cultural programme of concerts and exhibitions: a multidisciplinary approach in which debates, theatre, cinema, literature and other disciplines meet to reflect on the connections between art and society.
The Centre for Fine Arts aims to be a European cultural centre, anchored in the 21st century, with a novel and innovative view of society, a laboratory of ideas attuned to society’s current and future challenges. In the coming decade, Bozar aims to embody change, and contribute to seven major and evolving societal challenges.
Sitting atop Coudenberg Hill, monumental and yet discreet, the Brussels Centre for Fine Arts is Belgium’s major cultural venue. In 1913, Queen Elisabeth and King Albert I expressed their desire to build “a temple devoted to Music and the Arts”. Designed by renowned Belgian architect Victor Horta (1861-1947), construction began after the First World War. Upon returning from his stay in the United States, Horta abandoned his flamboyant, industrial Art Nouveau style for the more monumental and geometric language of Art Deco. Inaugurated in 1928, the Centre for Fine Arts is a testimony to this aesthetic revolution. For nearly a century, the centre has hosted the art world’s crème de la crème, and it is where most of Bozar’s cultural and artistic activities are held.
Bio: Hrair Sarkissian / Main: Vivian Maier, Francesca Grilli, Benjamin Orlow, Eric Pauwels, Michel Francois, Gigo Gabashvili, Els Dietvorst, Rene Magritte, Laurie Anderson, Richard Mosse
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Sarah Maple: Double LifeOct 3, 2026 – Apr 4, 2027Museum Arnhem presents Double Life, the first major solo exhibition in the Netherlands by British artist Sarah Maple (b. 1985). In her work, Maple explores what it means when different sides of her identity intersect...
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Calculating Empires / Kate Crawford & Vladan JolerNov 27, 2025 – Jan 31, 2027The monumental installation Calculating Empires impressively demonstrates how power and technology have been intertwined for centuries. The work, by artist-researchers Kate Crawford and Vladan Joler, and has been acquired by Rijksmuseum Twenthe...
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George Watson: The ChoiceJul 4 – Oct 11, 2026In this installation artist George Watson brings together a series of seemingly divergent references – to the farm, the villa, and 19th-century English literature. Recurring elements across the artist’s practice, here they are positioned within a larger narrative...
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Nadav Kander: The Edge of ThingsSep 18, 2026 – Jan 20, 2027Foam presents The Edge of Things, a major solo exhibition of the internationally renowned artist Nadav Kander. Over more than three decades, Kander has created some of the most celebrated images in contemporary photography...
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Shenzhen Art and Technology BiennaleMay 30, 2026 – Apr 30, 2027The inaugural edition of the Shenzhen Art and Technology Biennale (SATB) opens to the public from May 30, 2026, to April 30, 2027 at Shenzhen International Museum of Art (SIMoA). With its theme A Glimpse of the Infinite, this edition is directed by Zikang Zhang.
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Ralph Steadman: And Another ThingAug 26 – Dec 13, 2026Ralph Steadman is one of the most influential British graphic artists of the last 50 years. He is famous for his long collaboration with Hunter S. Thompson, notably illustrating Fear and Loathing in Las Vegas, which inspired two films in 1979 and 1998.
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Submit to ArtpilYear Round / InternationalArtpil is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, Artpil provides stories, event news, exhibition guides and interviews, featuring profiles of artists of all disciplines...
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OFFSCREEN: 5th editionOctober 20–25, 2026OFFSCREEN Paris is a nomadic event that values contemporary, historic and avant-garde artists with image-based practices. With its distinct voice, it is a must-see highlight of Paris Art Week each October...
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Constellations: Contemporary Jewelry from the Dallas Museum of ArtJul 10, 2026 – Jan 3, 2027
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
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Alex Ayed: TotanoJun 27 – Oct 11, 2026A promise binds the one who makes it to the unknown. By linking the present to an uncertain future, it becomes a form of foundation. To promise is to take responsibility for what does not yet exist.
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The 90sOct 8, 2026 – Feb 14, 2027Guest curated by fashion industry game changer Edward Enninful OBE, whose lived experience of the decade informs the exhibition The 90s examines a defining period in which a groundswell of creativity changed
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Monster Chetwynd: A Friends Making MachineMay 16 – Oct 11, 2026The Middelheim Museum is proud to present the first outdoor solo exhibition by international artist Monster Chetwynd. The exhibition takes its starting point from a new commission for the museum’s collection and unfolds into a landmark presentation of Chetwynd’s multifaceted practice.
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Submit Your AnnouncementsYear Round / International
Artpil is accepting submissions of Announcements. Reach an audience of over 100,000 monthly visits and over half-million monthly search impressions. Your announcement will appear in over 400 internal pages of Artpil’s website.
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American Icon: The US Flag in ArtJun 6 – Dec 6, 2026
Across generations, the Stars and Stripes has inspired pride, protest, and profound artistic expression. From battlefields to modern cultural movements, our flag’s journey through art reveals a nation constantly redefining itself.
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World Press Photo 2026Winners & ExhibitionsWorld Press Photo is an independent non-profit organization that champions the power of photojournalism and documentary photography to deepen understanding of the world’s complexities, promote dialogue, and inspire action.
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The Present as FoundOctober 2–23, 2026The divergent creative practices of this year’s Zvono Award finalists – Ljiljana Arsić, Isidora Branković, Mustafa Mlinarević, and Emina Veladžić – have shaped a media-heterogeneous, methodologically diverse, and conceptually multilayered exhibition.
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The Other Side of the MountainOct 14, 2026 – Mar 21, 2027
The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…
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Max BeckmannArtist / PainterMax Beckmann (1884–1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement.
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