
Cao Fei’s work mixes social commentary, popular aesthetics, references to Surrealism, and documentary conventions in her films and installations. Her works reflect on the rapid and chaotic changes that are occurring in Chinese society today.
Previous works of Cao Fei had participated in a number of international biennales including Shanghai Biennale, Moscow Biennale, Taipei Biennale, 15th & 17th Biennale of Sydney, Istanbul Biennale, Yokohama Triennale, and 50th, 52nd & 56th Venice Biennale. She also exhibited her works and projects in Serpentine Gallery, Tate Modern; New Museum, Guggenheim Museum, MoMA / PS1 (New York); Foundation Louis Vuitton, Palais de Tokyo and Centre Pompidou.
Cao Fei’s recent projects include the Robert H. N. Ho Family Foundation Chinese Art Initiative at Guggenheim Museum and retrospective at K21 Dusseldorf.
Cao Fei was a nominee for the Future Generation Art Prize 2010 and the finalist of Hugo Boss Prize 2010. She received the Chinese Contemporary Art Award (CCAA) Best Young Artist Award in 2006 and Best Artist Award in 2016; Piedra de Sal Award at Cuenca Biennale in 2016.
Cao Fei’s work mixes social commentary, popular aesthetics, references to Surrealism, and documentary conventions in her films and installations. Her works reflect on the rapid and chaotic changes that are occurring in Chinese society today.
Previous works of Cao Fei had participated in a number of international biennales including Shanghai Biennale, Moscow Biennale, Taipei Biennale, 15th & 17th Biennale of Sydney, Istanbul Biennale, Yokohama Triennale, and 50th, 52nd & 56th Venice Biennale. She also exhibited her works and projects in Serpentine Gallery, Tate Modern; New Museum, Guggenheim Museum, MoMA / PS1 (New York); Foundation Louis Vuitton, Palais de Tokyo and Centre Pompidou.
Cao Fei’s recent projects include the Robert H. N. Ho Family Foundation Chinese Art Initiative at Guggenheim Museum and retrospective at K21 Dusseldorf.
Cao Fei was a nominee for the Future Generation Art Prize 2010 and the finalist of Hugo Boss Prize 2010. She received the Chinese Contemporary Art Award (CCAA) Best Young Artist Award in 2006 and Best Artist Award in 2016; Piedra de Sal Award at Cuenca Biennale in 2016.

Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.
Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.