Whether creating an acid portrait of Sweden, representing the nightmarish world of business offices, tapping into the desolate uniformity of petrified, petit-bourgeois neighborhoods, Lars Tunbjörk has totally forgotten his black and white beginnings. (more…)

Artpil is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, Artpil provides stories, event news, exhibition guides and interviews, featuring profiles of artists of all disciplines (more…)

Published by Fondazione MAST, this catalogue accompanies the first exhibition in Italy dedicated to the German artist Andreas Gursky. Gursky’s large-scale images frame the contemporary landscape and define our experience of the world (more…)

Hetzler Marfa is pleased to announce Indoor Paintings, a solo exhibition of works by Grace Weaver (b. 1989, Vermont) made during a residency in Marfa, Texas. The exhibition includes a presentation of oil on canvas works in the main gallery and Weaver’s largest works on paper to date in the artist studio. (more…)

More than any other modern poet, Wallace Stevens was concerned with the transformative power of the imagination. (more…)

For 130 years, Paris has been a centre for the production of original graphic works of art. As early as the late 19th century, Henri de Toulouse-Lautrec or Théophile-Alexandre Steinlen created prints and original lithographic posters here, which were enthusiastically received and passionately collected by their contemporaries. (more…)

After Laughter Comes Tears is an experimental exhibition dedicated to performance, and the second edition of the Mudam Performance Season launched in 2021. Conceived as a ‘performative exhibition’, After Laughter Comes Tears will feature the work of thirty-four artists working across the mediums of performance, installation and video. (more…)

“I may pay rent to a friend for my place in Greensboro, but the South’s my landlord; and I’m trapped in its stomach trying to get to its brain. Here, I see butterflies with Confederate flag-grown wings and minstrel vestiges of Daddy Rice collecting dough. I can’t move because I’m stuck in Aunt Jemima’s syrup.” (more…)

The title Hexed, Vexed & Sexed points to the vexed freedom of women artists in the world today. It reclaims the Hex as a discipline of feminine intellect and politics, capable of transforming social circumstances from the inside out. The Hex stands for irrepressible women’s power, often vilified as unreasonable, childish, or animal, but producing profound social effects undermining patriarchal control. (more…)