Contemporary fashion designed/made in Austria is the focus of the first comprehensive major exhibition on Austrian fashion design. A time travel through fashion design in all its facets from the 80s to today (more…)
•
Carla van de Puttelaar
photographer
I cherish a deep love for the Dutch Old Masters. As a contemporary artist, I work with the female nude and portraiture. So I was immediately enthusiastic when the Rembrandt House approached me to create a new series of works inspired by Rembrandt’s nudes.
His incredible drawings and etchings show not only amazing technique and individuality, but also a sublime mastery of light, shadow and composition. His strong light-dark contrasts and his bold compositions, engaging costumes and draperies, resulted in powerful visual images. His models, portrayed from life, with their own personalities and bodies, not adjusted to fashion and ideals, were striking in their day, and remained so into the present.
Rembrandt’s nudes inspired me to create new works in which I have been able to capture magical moments in new works of art. The explosion of creativity has resulted in a large body of work which I call “The Rembrandt Series.”
Among the numerous honorary positions held and awards received include Jury Member World Press Photo Contest; Selection Committee Member De Nederlandse Portretprijs; Guest Curator Naarden Fotofestivalr; Jury Member Photo Book, Portraits 2016, Fotobond; PDN / Photo District News Annual 2016, Winner; The 2009 International Photography Awards (IPA), Honorable Mention; The New York Photo Awards 2009 nomination in the Fine Art single Image category; 2006 Le Prix Découverte des Rencontres d’Arles nomination; 1999 Starter stipend, The Netherlands Foundation for Visual Arts, Design and Architecture.
•
RELATED ARTICLES
-
So British! Collection PinaultJun 5, 2019 – May 11, 2020
Since its creation 30 years ago, the Pinault collection has grown quickly to become a major presence in the contemporary arts. This exhibition focuses on the British artists present in the collection. Artists include Nigel Cooke, Jonathan Wateridge, Lynette Yiadom-Boakye, Toby Ziegler, among others.
-
Submit to ARTPILYear Round / International
ARTPIL is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, ARTPIL provides stories, event news, interviews featuring profiles of artists of all disciplines, museums & galleries, agencies & organizations, both curated and from the public domain. (more…)
-
In The Next Door RoomPhotography of Lise Sarfati
The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)
-
Gerhard Richter: Painting After AllMarch 4 – July 5, 2020
This exhibition at The Met Bauer considers Richter Gerhard’s six decade long preoccupation with the dual means of representation and abstraction to explore the material, conceptual, and historical implications of painting.
-
The Treachery of MemorySally Mann
There are aspects of memories that we choose to remember, imagining small details that weren’t actually there, or bits that never really occurred, and perhaps now we rely too much on photography to help us make these moments more clear. (more…)
-
Lise SarfatiPhotographer
Born in 1958 in Oran, Algeria Lise Sarfati lives and works between Paris and Los Angeles and is represented by Yossi Milo Gallery, NY, Rose Gallery, LA, La Galerie Particulière, Paris.
-
ARTPIL / Prescription .107Look back on 2019
We are at the year’s end, 2019. There is not a singularity of form which could define the past twelve months, or any epoch. This year, we have had our part of crisis and tension, distorted visions, along with struggles in identity, politics, and culture.
-
Botanical Drift / Ebbe Stub WittrupJanuary 23 – May 17, 2020
As Ebbe Stub Wittrup follows in the footsteps of the Danish botanist Nathaniel Wallich, a narrative emerges on Western economy and scientific logic as opposed to local knowledge and experience.
