In today’s world, our commitment to connecting community with world-class creative innovators has never been more vital. Vanguard dance, music, and adventurous theater artists offer fresh ideas and energy, while bringing us together...

The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.

The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…

“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.

Born Dorothea Nutzhorn on May 26, 1895 in Hoboken, New Jersey, Dorothea Lange had a difficult childhood, contracting polio when she was seven. The illness left her right leg and foot weakened and she walked with a noticeable limp for the rest of her life.

Art connects islands across thousands of miles in “Imagining an Archipelago: Art from Cuba, Guam, the Philippines, Puerto Rico, and Their Diasporas.” The visually stunning exhibition brings together more than 40 contemporary artists...

Alex Prager’s works are in collections of National Gallery of Victoria, Melbourne, The Museum of Modern Art, New York, The Whitney Museum of American Art, New York, Kunsthaus Zürich, Moderna Museet, Stockholm, and San Francisco Museum of Modern Art.

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

Kishio Suga brings together a representative group of the artist’s sculptures, dating from the 1960s to the ’90s, that probe the slippages between seeing and knowing. Works culled from Dia’s holdings are complemented by key loans...

The divergent creative practices of this year’s Zvono Award finalists – Ljiljana Arsić, Isidora Branković, Mustafa Mlinarević, and Emina Veladžić – have shaped a media-heterogeneous, methodologically diverse, and conceptually multilayered exhibition.

The New School Art Collection and the Vera List Center for Art and Politics are pleased to present Robert Rauschenberg & the News: Select Prints from The New School Art Collection...

Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.

Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…

Printed Matter is thrilled to announce the second [#2424-1, 1999] and third [#3878, 2005] in a series of three fundraising Risograph-print editions by the artist Todd Hido. These two images bookend Hido’s most recent Risograph print...

Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.

After the success of the exhibition “Fashion Folklore”, the Mucem dedicates its 2026 season to Mossi Traoré, a singular voice on the French fashion scene, for whom couture becomes a field of experimentation...

In his new body of work Hostless, Mohammed Sami focuses predominantly on internal spaces. The paintings become a site for mnemonic processes, mental operations in which abstraction falters and something unsettling begins to seep through.

“Childhood is a frightening place. Only when considered from a great distance, whether that be across space or time, can it appear carefree and idyllic. Because growing up is always marked by changes that cannot be controlled...