Darkest Hour, this pearl of stylish and emotive documentary was directed by Thomas Ralph, just after the initial Brexit referendum over three years ago (more…)

After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.

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We are at the year’s end, 2019. There is not a singularity of form which could define the past twelve months, or any epoch. This year, we have had our part of crisis and tension, distorted visions, along with struggles in identity, politics, and culture.

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For six decades, World Press Photo has been expanding its mission as an independent nonprofit, drawing on experience to guide visual journalists, storytellers, and audiences around the world.

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Born in 1958 in Oran, Algeria Lise Sarfati lives and works between Paris and Los Angeles and is represented by Yossi Milo Gallery, NY, Rose Gallery, LA, La Galerie Particulière, Paris.

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This online film festival is born out of the idea that the film community can come together in times of crises, both in celebration of films and in support by providing much needed relief for Covid-19 efforts.

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While focusing on moments of mistake and misrecognition, Naeem Mohaiemen’s research into aspirations towards utopia during the Cold War era, manifested through decolonization, revolution, and independence.

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The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)

Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.

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