Chiara Bruschini
Photographer

I belong to the sea, to the sea of Anzio, where I was born in 1998.

Research in the daily lives of surreal scenes, moments that evoke memories, introspective analysis, has always aroused in me the continuous observation of the surrounding world.

The desire to draw a bridge between the past and the present, finding faces in the crowd that might have another historical location; faces that could be contextualized in divergent clothes from real and contemporary ones.

This is what has pushed me in 2017 to enroll at ISFCI (The Higher Institute of Photography and Integrated Communication) in Rome, developing my skills in the field of portraiture, fashion photography and in the theatre scene.

Illusory and sometimes dreamlike situations with often references to the world of art, especially for the Renaissance period, inspire by my own imagination.

The creation of my own personal perception of color, sometimes of its alteration and abstraction, all this finds a relation with my feelings and my intimacy.
The wanderlust desire and living new gazed emotions has brought me up to move in Paris, a nostalgic city where the time seems to be frozen in another era.

The materialization of my fantasies in unrecognizable and undated places, the transformation and manipulation of color, everything is wrapped up in a veil that drags its echo into each of us in a timeless space dimension.

Chiara Bruschini
Photographer

I belong to the sea, to the sea of Anzio, where I was born in 1998.

Research in the daily lives of surreal scenes, moments that evoke memories, introspective analysis, has always aroused in me the continuous observation of the surrounding world.

The desire to draw a bridge between the past and the present, finding faces in the crowd that might have another historical location; faces that could be contextualized in divergent clothes from real and contemporary ones.

This is what has pushed me in 2017 to enroll at ISFCI (The Higher Institute of Photography and Integrated Communication) in Rome, developing my skills in the field of portraiture, fashion photography and in the theatre scene.

Illusory and sometimes dreamlike situations with often references to the world of art, especially for the Renaissance period, inspire by my own imagination.

The creation of my own personal perception of color, sometimes of its alteration and abstraction, all this finds a relation with my feelings and my intimacy.
The wanderlust desire and living new gazed emotions has brought me up to move in Paris, a nostalgic city where the time seems to be frozen in another era.

The materialization of my fantasies in unrecognizable and undated places, the transformation and manipulation of color, everything is wrapped up in a veil that drags its echo into each of us in a timeless space dimension.

  • Miriam Bäckström: Consumer
    Jan 18 – Mar 24, 2024
    Kohta
    Helsinki, Finland
    Miriam Bäckström: Consumer in the larger gallery presents new sculptural tapestry work by the Swedish artist, who started showing internationally as a conceptual photographer in the late 1990s and is also known for her films, texts and collaborations with actors. For more than ten years Bäckström has been working with machine-woven images, realising a number of large-scale commissions for public spaces. (more…)
  • Chris Hoare: Seven Hills
    Publication
    RRB Photobooks
    International
    RRB Photobooks is delighted to present Seven Hills, our second publication from Bristol based Photographer, Chris Hoare. Set to release in September 2023, this first edition will feature a special edition of 50 copies, each including a signed and limited print. In Seven Hills, Hoare shows us his unique perspective of Bristol, his hometown. Presenting both the good and the bad, Hoare’s poetic imagery speaks to some of the more serious issues facing the city today (more…)
  • Miranda July: New Society
    Mar 7 – Oct 14, 2024
    Fondazione Prada
    Milan, Italy
    Curated by Mia Locks, Miranda July: New Society is the first solo museum exhibition dedicated to Miranda July’s work. Spanning three decades, from the early 1990’s until today, the exhibition includes early short films, performance, and multimedia installations. The exhibition debuts F.A.M.I.L.Y (Falling Apart Meanwhile I Love You), a multi-channel video installation July made in collaboration with seven strangers via Instagram. (more…)