This exhibition at The Met Bauer considers Richter Gerhard’s six decade long preoccupation with the dual means of representation and abstraction to explore the material, conceptual, and historical implications of painting.
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Chris Dorley-Brown
Photographer
Chris set up his own photographic practice in 1984 concentrating on documenting East London. In a series of residencies and commissions focussing on social housing, workplaces, hospitals and architecture, he has established a substantial archive of images that are re-purposed and re-contextualized for distribution via web, film, exhibition and publication.
Project partners have included the BBC, Museum of London, Homerton Hospital, the Wellcome Collection and various London Borough archives. He often works with re-energizing existing archival material as part of creating new works. Recent publications include photo books The Longest Way Round (Overlapse, 2015), Drivers in the 1980s (Hoxton Mini-Press, 2015), The Corners (Hoxton Mini-Press, 2018) and The East End in Colour: The Photography of David Granick (Hoxton Mini-Press, 2018).
He lives and works in East London.
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