Chris Dorley-Brown
Photographer

Chris set up his own photographic practice in 1984 concentrating on documenting East London. In a series of residencies and commissions focussing on social housing, workplaces, hospitals and architecture, he has established a substantial archive of images that are re-purposed and re-contextualized for distribution via web, film, exhibition and publication.

Project partners have included the BBC, Museum of London, Homerton Hospital, the Wellcome Collection and various London Borough archives. He often works with re-energizing existing archival material as part of creating new works. Recent publications include photo books The Longest Way Round (Overlapse, 2015), Drivers in the 1980s (Hoxton Mini-Press, 2015), The Corners (Hoxton Mini-Press, 2018) and The East End in Colour: The Photography of David Granick (Hoxton Mini-Press, 2018).

He lives and works in East London.

Chris Dorley-Brown
Photographer

Chris set up his own photographic practice in 1984 concentrating on documenting East London. In a series of residencies and commissions focussing on social housing, workplaces, hospitals and architecture, he has established a substantial archive of images that are re-purposed and re-contextualized for distribution via web, film, exhibition and publication.

Project partners have included the BBC, Museum of London, Homerton Hospital, the Wellcome Collection and various London Borough archives. He often works with re-energizing existing archival material as part of creating new works. Recent publications include photo books The Longest Way Round (Overlapse, 2015), Drivers in the 1980s (Hoxton Mini-Press, 2015), The Corners (Hoxton Mini-Press, 2018) and The East End in Colour: The Photography of David Granick (Hoxton Mini-Press, 2018).

He lives and works in East London.

  • Aria Dean: Abattoir
    Feb 8 – May 5, 2024
    ICA
    London, UK
    Aria Dean: Abattoir is the New York-based artist’s first exhibition in the UK. The exhibition of the artist’s recent work explores the foundational relationship between modernity and death on conceptual and material levels. The ICA’s main gallery features Dean’s Abattoir, U.S.A.!, a site-specific film installation with immersive 8-channel sound. The animated film traverses the interior of an empty slaughterhouse. (more…)