Galerie Kornfeld presents Auto-Splash, Martin Spengler’s first solo exhibition in Berlin, featuring sculptures and picture reliefs made of corrugated cardboard. (more…)
Cindy Sherman is an American photographer and filmmaker whose self-portraits offer critiques of gender and identity. What made Sherman famous is the use of her own body in roles or personas in her work, with her seminal series Untitled Film Stills (1977–1980) being particularly important. These black-and-white photographs feature the artist herself as a model in various costumes and poses, and are her portrayals of female stereotypes found in film, television, and advertising. Similar to Barbara Kruger, Sherman examines and distorts femininity as a social construct. Born Cynthia “Cindy” Morris Sherman on January 19, 1954 in Glen Ridge, NJ, the artist abandoned painting for photography while attending the State University of New York at Buffalo, and in 1976, moved to New York City to pursue a career as a photographer. In addition to the Untitled Film Stills series, she has continued to explore women as subject matter, often donning elaborate disguises in large-scale color photographs, throughout her career. While her practice has grouped her with the Pictures Generation, along with artists such as Sherrie Levine and Robert Longo, her distinctive blend of performance and photography stands alone. Her work has been the subject of many museum exhibitions, including those at The Museum of Modern Art and the Whitney Museum of American Art. Sherman lives and works in New York, NY.
[Artnet]
Galerie Kornfeld presents Auto-Splash, Martin Spengler’s first solo exhibition in Berlin, featuring sculptures and picture reliefs made of corrugated cardboard. (more…)
Gray is pleased to present Nocturne, a solo exhibition of new sculpture by Jaume Plensa. Debuting nine of the artist’s latest works in stone, glass, steel, and bronze, Nocturne explores the artist’s range and mastery of sculptural portraiture. (more…)
“The real value of this expansion is not more space, but space that allows us to rethink the experience of art in the Museum.” –Glenn D. Lowry, The David Rockefeller Director (more…)
Alec Soth’s work is rooted in the distinctly American tradition of ‘on-the-road photography’ developed by Walker Evans, Robert Frank, and Stephen Shore. From Huckleberry Finn to Easy Rider there seems to be a uniquely American desire to travel and chronicle the adventures that consequently ensue. (more…)
Sam Lewitt retools the economic transition of the demolition of the Ford Genk. This dispersed presentation at Z33 raises the question of where we locate the ‘work’ as an activity and as a product. (more…)
The United Nations General Assembly has designated this day International Day for the Elimination of Violence Against Women. By truism, this is a proposition that states really nothing beyond what is implied by its terms… (more…)
These are the moments that will be etched into history, this year 2020 has been a year dominated by disaster, unrest, and uncertainty, seen through the lenses of National Geographic photographers. (more…)
Born in Northern France, Jean-Philippe Lebée is a photographer and director who is passionate about life and traveling. After his audiovisual and cinema studies, Jean-Philippe Lebée started to study photography at the school Gobelins in Paris. (more…)