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Claude Iverné
Photographer
Claude Iverné (born 1963) lives and works in France. Trained in the world of fashion photography in Paris, London, and New York, Iverné worked with the most renowned names of the profession, including Pierre Cardin, Lord Snowdon, Paolo Roversi, David Bailey, and Albert Watson. Since his first trip to Sudan in 1999, Iverné has worked on the concepts of territory and identity, and on the codes and standards of representation that are linked to these notions. In 2003, he created the collective Elnour (The light), a research and documentation office where photographers, artists, scientists, and writers coexist and work on Sudan. He has exhibited at Rencontres d’Arles (2002); the United Nations, Khartoum, Sudan (2002); Maison des Métallos, Paris (2003, 2012); Centre Culturel Français, Khartoum, Sudan (2004); Musée Royal de Mariemont, Belgium (2007); Visa Pour l’Image (2007); Egyptian Cultural Center, Paris (2010); Musée Nicéphore Niépce (2016); and Fondation Henri Cartier-Bresson (2017).
Claude Iverné
Photographer
Claude Iverné (born 1963) lives and works in France. Trained in the world of fashion photography in Paris, London, and New York, Iverné worked with the most renowned names of the profession, including Pierre Cardin, Lord Snowdon, Paolo Roversi, David Bailey, and Albert Watson. Since his first trip to Sudan in 1999, Iverné has worked on the concepts of territory and identity, and on the codes and standards of representation that are linked to these notions. In 2003, he created the collective Elnour (The light), a research and documentation office where photographers, artists, scientists, and writers coexist and work on Sudan. He has exhibited at Rencontres d’Arles (2002); the United Nations, Khartoum, Sudan (2002); Maison des Métallos, Paris (2003, 2012); Centre Culturel Français, Khartoum, Sudan (2004); Musée Royal de Mariemont, Belgium (2007); Visa Pour l’Image (2007); Egyptian Cultural Center, Paris (2010); Musée Nicéphore Niépce (2016); and Fondation Henri Cartier-Bresson (2017).
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