What can we extract from the flow of life? The word ‘catch’ may mean, among other things, gathering a moving object as well as grasping, observing and understanding. It may also mean discovery or recognition. In the works of the exhibition, the world is in motion. They direct our attention to presence. (more…)

Created in 1973, the video work Three Transitions was produced at Boston’s WGBH-TV public television station through their “New Television Workshop” fellowship program. Since its initial presentation at Bykert Gallery that same year, Three Transitions has been exhibited at numerous institutions, (more…)

Two of the most original artists of the postwar period, Louise Bourgeois (1911–2010) and Jenny Holzer (b. 1950), meet in this exceptional artist’s book conceived and designed by Holzer to accompany the Bourgeois exhibition she has curated at the Kunstmuseum Basel. (more…)

We had the chance to talk to the OGR Prize Winner of this year, Rebeca Romero. Peruvian artist based in London, she was recently awarded by Artissima and Fondazione per l’Arte Moderna e Contemporanea CRT with her project Semilla SAGRADA, (more…)

For 130 years, Paris has been a centre for the production of original graphic works of art. As early as the late 19th century, Henri de Toulouse-Lautrec or Théophile-Alexandre Steinlen created prints and original lithographic posters here, which were enthusiastically received and passionately collected by their contemporaries. (more…)

In the context of europalia georgia, S.M.A.K. organises the first museum solo exhibition of Georgian artist Karlo Kacharava (1964–1994) outside Georgia. This exhibition is dedicated to poet, art critic and artist Karlo Kacharava (1964-1994), one of Georgia’s most influential cultural figures of the late twentieth century. (more…)

Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” In this art context, the common phrase going dark is understood as a tactic whereby artists visually conceal the body to explore a key tension in contemporary society: the desire to be seen and the desire to be hidden from sight. (more…)

The United Nations Educational, Scientific, and Cultural Organisation, UNESCO, has just granted its patronage to maltabiennale.art, which will be held in Malta for the first time in the coming year. UNESCO’s patronage is considered as a high form of recognition for this art festival (more…)

I re-discover parts of my cultural heritage, portraying the different facets of the life of mountain villages in between the Italian and Slovenian borders. What I found was a community of survivors. (more…)