Collezione Maramotti
Reggio Emilia, Italy

The Collection consists of several hundred works of art that date from 1945 to the present, of which something more than two hundred are on permanent display as an in-depth presentation of a number of the central artistic tendencies, both Italian and international, of the second half of the 20th century. It consists primarily of paintings but it also holds sculptures and installations. The artists are represented by significant works from their early careers, and thus by examples of the ways in which their work first brought elements of true innovation into the research of contemporary art.

The permanent collection begins with a number of important European paintings that represent the abstract-expressionist movements of the Fifties, generally known as art informel, and there is also a group of proto-conceptual Italian works. It continues with an important selection of the works of the “Roman School” of Pop Art, and then with a considerable number of Arte Povera works. These sections of the Collection are followed in turn by various fundamental works from the area of Italian neo-expressionism (Transavanguardia), and as well by significant works of German and American neo-expressionism. Next we find a considerable group of works of the American New Geometry, from the Eighties and Nineties, followed finally by the most recent experimentations in both the United States and Great Britain.

Most of the Collection’s 21st century works have not been included in the permanent exhibition, and are presented in theme-based shows in the ground-floor spaces for temporary exhibitions. The Collection is itself a “work in progress” and will continue in the future to document the novel paths that the further evolution of contemporary art continues to explore.

Collezione Maramotti
Reggio Emilia, Italy

The Collection consists of several hundred works of art that date from 1945 to the present, of which something more than two hundred are on permanent display as an in-depth presentation of a number of the central artistic tendencies, both Italian and international, of the second half of the 20th century. It consists primarily of paintings but it also holds sculptures and installations. The artists are represented by significant works from their early careers, and thus by examples of the ways in which their work first brought elements of true innovation into the research of contemporary art.

The permanent collection begins with a number of important European paintings that represent the abstract-expressionist movements of the Fifties, generally known as art informel, and there is also a group of proto-conceptual Italian works. It continues with an important selection of the works of the “Roman School” of Pop Art, and then with a considerable number of Arte Povera works. These sections of the Collection are followed in turn by various fundamental works from the area of Italian neo-expressionism (Transavanguardia), and as well by significant works of German and American neo-expressionism. Next we find a considerable group of works of the American New Geometry, from the Eighties and Nineties, followed finally by the most recent experimentations in both the United States and Great Britain.

Most of the Collection’s 21st century works have not been included in the permanent exhibition, and are presented in theme-based shows in the ground-floor spaces for temporary exhibitions. The Collection is itself a “work in progress” and will continue in the future to document the novel paths that the further evolution of contemporary art continues to explore.

Ellen Gallagher (bio), Pino Pascali, Anselm Kiefer, Osvaldo Licini, Claudio Parmiggiani, Eric Fischl, Julian Schnabel, David Salle, Piero Manzoni, Jean-Michel Basquiat, Mimmo Paladino
  • Jorma Mueller: Restoration to a Better Past
    Publication
    ENTKUNSTUNG
    International
    Restoration to a Better Past is a photography book by Jorma Mueller. In Jorma Mueller’s photography there is margin for a biographical hypothesis and glimpses of something that has been lost. A vision of the present as ebb and flow is almost inevitable in the experience of his work. Subjectivity is melancholic, and that melancholy contains the evocation that restores the legacy for which others risked their fate. (more…)
  • A Home for Something Unknown
    Mar 2 – Apr 28, 2024
    Neuer Berliner Kunstverein
    Berlin, Germany
    With the exhibition A Home for Something Unknown, Neuer Berliner Kunstverein (n.b.k.) and Haus am Lützowplatz present works by 27 international artists living in Berlin who were awarded the Berlin Senate 2023 visual arts work stipend. The twofold increase in the number of artists receiving this scholarship, as well as the heightened international representation of recipients compared to previous years, underscore Berlin’s deep commitment to fostering and celebrating the visual arts (more…)
  • The Phair / Photo Art Fair
    May 3–5, 2024
    OGR
    Turin, Italy
    The Phair – a neologism that is a manifesto, synthesis of Photography and Fair – is an annual event dedicated to photography. The Phair is addressed to some of the leading contemporary art galleries – and not necessarily only to those already specialized in photography – that, on the occasion of the fair, showcase an artistic project related to the theme of the image and art works created with photographic or video material. (more…)