CultRise
Arts Organization
CultRise is a cultural association that uses today’s technologies to develop a multidisciplinary network aiming to the promotion of young talents, collectives of creatives and fertile minds in diverse sectors of art and culture.
New synergies, cooperations and forms of collaboration are needed in order for culture to acquire a fundamental role for future generations.
Only like this art can become a medium of connection, communication and contact between international and local realities, allowing italian culture to rise again under the global spot-lights, engaging and stimulating an always greater public.
RELATED ARTICLES
CultRise
Arts Organization
CultRise is a cultural association that uses today’s technologies to develop a multidisciplinary network aiming to the promotion of young talents, collectives of creatives and fertile minds in diverse sectors of art and culture.
New synergies, cooperations and forms of collaboration are needed in order for culture to acquire a fundamental role for future generations.
Only like this art can become a medium of connection, communication and contact between international and local realities, allowing italian culture to rise again under the global spot-lights, engaging and stimulating an always greater public.
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RELATED ARTICLES
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Edition Block 1966–2022Feb 10, 2023 – Feb 25, 2024Since the 1960s, René Block has been a key figure in the European art world. In 1964, he opened a gallery in Berlin that was to shape art history. In 2022, now aged 80, he is artistic director of the 2022 Riga Biennale taking place from mid-July to early October. (more…)
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melanie bonajo: When the body says Yes+Nov 10, 2023 – Apr 28, 2024When the body says Yes+ is a solo exhibition of the Dutch artist melanie bonajo (they/them/theirs). The artist is searching for an answer to the question of whether there is still a place for intimacy in our increasingly commercialised and technological world. The central theme of the exhibition is touch, literally, but also touch as our relationship to each other and the world around us. (more…)
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Ana Cavagna MartinezArtistAna Cavagna Martinez is an Argentinian artist, continuously inspired by nature, books and her philosophical studies. She has spent the last 20 years out of Buenos Aires, going through trips and moving all around the world. (more…)
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The Last HumansAlienation in the AnthropoceneWe have fundamentally altered the earth’s ecosystem by disrupting the natural rhythm of our planet and in doing so have created a new chapter in the evolution of Earth and a new stage of uncertainty. (more…)
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RaMell Ross: Spell, Time, Practice, American, BodyPublication“I may pay rent to a friend for my place in Greensboro, but the South’s my landlord; and I’m trapped in its stomach trying to get to its brain. Here, I see butterflies with Confederate flag-grown wings and minstrel vestiges of Daddy Rice collecting dough. I can’t move because I’m stuck in Aunt Jemima’s syrup.” (more…)
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Edith Dekyndt / L’Origine des ChosesFeb 8 – Dec 12, 2023“With the collapse of the market economy, we begin to see the monuments of the bourgeoisie as ruins before they have even crumbled.” –Walter Benjamin Following Bertrand Lavier and Anri Sala, Belgian artist Edith Dekyndt will take over the Passage display cases of the Bourse de Commerce. (more…)
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Fumi Nagasaka: Dora, Yerkwood, Walker County, AlabamaPublicationDuring the 2016 US Presidential elections Japanese photographer, Fumi Nagasaka, became intrigued by the rural and southern USA. She had lived in New York City for a decade but despite travelling the world, had yet to visit the rest of the US. All this changed when her friend, Tanya Rouse, invited her to her hometown of Dora, Alabama. Nagasaka continued to visit Dora over several years, gradually building a photographic archive of her visits. (more…)
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Larry Sultan / SwimmersPublication 2023“Painterly and impressionistic, filled with movement and gesture, Swimmers is Larry Sultan’s most instinctive and unselfconscious body of work. A creatively liberating moment that reveals as much, if not more, about the person behind the lens as those in front of it.” –Sean O’Hagan, The Observer New Review (more…)
