Of Ukrainian origin, I emigrated to France in 2022, aged 25, with nothing but background as a lawyer and a backpack after the invasion of Russia.
In France, I lived where I can and work in restaurants. My qualifications are worthless here. Just an ordinary story of forced immigration.
A friend lent me a camera. And I discovered the world of Anders Peterson, Sally Mann, Martin Parr and so many others. I had no knowledge of the photographic medium or, more generally, of the history of forms and images. So, I immersed myself in photography without seeking to enroll in a particular school. Everything is a pretext for bearing witness.
Backstage at a Parisian cabaret, my family back in Ukraine, friends, people with Down’s syndrome… the story of a photographer who discovers herself late in life.
But there is always something in these human trajectories that are too often summed up too quickly, something that will influence a direction. That influence is my uncle Sasha.
Sacha is a person with disability. He doesn’t realize it, but he has the mental age of a child in the body of a man in his sixties. He is happy but needs help from his whole family.
It’s clear from the photos that my mood is always affected by this obsession. How do you find your place in this world? Whether you’re disabled, a refugee, transsexual, shy, obese or thin, how do you find your place in this world?
Photography isn’t just a mean of expression for me, it’s a way of responding to these people. Yes, they have a place in this world. And so do I have.
Of Ukrainian origin, I emigrated to France in 2022, aged 25, with nothing but background as a lawyer and a backpack after the invasion of Russia.
In France, I lived where I can and work in restaurants. My qualifications are worthless here. Just an ordinary story of forced immigration.
A friend lent me a camera. And I discovered the world of Anders Peterson, Sally Mann, Martin Parr and so many others. I had no knowledge of the photographic medium or, more generally, of the history of forms and images. So, I immersed myself in photography without seeking to enroll in a particular school. Everything is a pretext for bearing witness.
Backstage at a Parisian cabaret, my family back in Ukraine, friends, people with Down’s syndrome… the story of a photographer who discovers herself late in life.
But there is always something in these human trajectories that are too often summed up too quickly, something that will influence a direction. That influence is my uncle Sasha.
Sacha is a person with disability. He doesn’t realize it, but he has the mental age of a child in the body of a man in his sixties. He is happy but needs help from his whole family.
It’s clear from the photos that my mood is always affected by this obsession. How do you find your place in this world? Whether you’re disabled, a refugee, transsexual, shy, obese or thin, how do you find your place in this world?
Photography isn’t just a mean of expression for me, it’s a way of responding to these people. Yes, they have a place in this world. And so do I have.
Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…
NAPLES, Fla., July 28, 2026 – For the first time, collectors will be able to purchase officially licensed high‑quality art prints and canvas works based on the sculptures of Enrique Gomez de Molina on the Chimera & Co. online platform.
Liam Young’s imaginary worlds take over various locations in the Barbican, inviting us to imagine what the future of humanity could look like, and the challenges and adventures to come.
Artpil is accepting submissions of Announcements. Reach an audience of over 100,000 monthly visits and over half-million monthly search impressions. Your announcement will appear in over 400 internal pages of Artpil’s website.
Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.