Dario Maglionico
Artist / Painter

Dario Maglionico was born in Naples in 1986. After graduating in Biomedical Engineering at the Polytechnic University of Milan, from 2014 he lived and worked in Milan, devoting himself exclusively to painting. He was recently a finalist of the Bugatti-Segantini Prize in the under-35 category, and of the Arte Laguna Prize in Venice. In 2015 he inaugurated the solo show Everything at Once at Antonio Colombo Arte Contemporanea, curated by Ivan Quaroni. In 2016 he held a solo show titled Sincronie, in collaboration with the Department of Culture of the city of Legnano at the Pinacoteca del Castello, curated by Claudia Contu. In 2015 he inaugurated the solo show Claustrophilia at Galleria Riva Arte Contemporanea in Lecce and the group exhibition Painting As A Mindfield at the gallery Area/B in Milan, curated by Ivan Quaroni. He also took part in numerous group exhibitions in various cities including Milan, Varese, Venice, and Verona. In 2015 he was a finalist of the Como Contemporary Contest. In 2016 Einaudi included a detail of “Reification #9” on the cover of “Scherzetto” by Domenico Starnone, whom he collaborated with for the creation of some illustrations for the book. In 2017 he was selected among emerging artists by the editors of Hi-Fructose and published in January’s n°42 volume.

Dario Maglionico
Artist / Painter

Dario Maglionico was born in Naples in 1986. After graduating in Biomedical Engineering at the Polytechnic University of Milan, from 2014 he lived and worked in Milan, devoting himself exclusively to painting. He was recently a finalist of the Bugatti-Segantini Prize in the under-35 category, and of the Arte Laguna Prize in Venice. In 2015 he inaugurated the solo show Everything at Once at Antonio Colombo Arte Contemporanea, curated by Ivan Quaroni. In 2016 he held a solo show titled Sincronie, in collaboration with the Department of Culture of the city of Legnano at the Pinacoteca del Castello, curated by Claudia Contu. In 2015 he inaugurated the solo show Claustrophilia at Galleria Riva Arte Contemporanea in Lecce and the group exhibition Painting As A Mindfield at the gallery Area/B in Milan, curated by Ivan Quaroni. He also took part in numerous group exhibitions in various cities including Milan, Varese, Venice, and Verona. In 2015 he was a finalist of the Como Contemporary Contest. In 2016 Einaudi included a detail of “Reification #9” on the cover of “Scherzetto” by Domenico Starnone, whom he collaborated with for the creation of some illustrations for the book. In 2017 he was selected among emerging artists by the editors of Hi-Fructose and published in January’s n°42 volume.

  • Bastardie
    Jun 7–30, 2024
    KADIST
    Paris, France
    How can speech practices that trouble official languages disrupt the established social order and open up other configurations? Do they have the potential to impact the way we look or act? Its title pays tribute to Alice Becker-ho, a linguist associated with the Situationist International, known for her interest in the lexicons of gypsies and Roma. (more…)
  • Grey Crawford. Chroma, 1978–85, Vol 1
    Publication
    Beam Editions
    International
    In 1978 Grey Crawford created a body of colour photographic work that was so radical in its aesthetic and technique that few people to this day understand how it was made. Chroma documents late 70s Los Angeles in a period of radical urban transformation. Scenes of vernacular architecture, demolition sites and everyday places are contrasted with graphic forms that float on the surface and sit within the image. (more…)
  • Dustin Shum: BLOCKS
    Publication
    Inertia Books
    International
    Public housing has recently been portrayed as a carrier of good neighbourhood that is vanishing in our society and the public has romanticised its image. However, the public has neglected the many real problems faced by people living in these flats: low income, jobless, disability, family problems, new migrants, ageing population and so on. Meanwhile, meaningless renovations have been carried out in old public housing estates but no improvements have been made on facilities that that are really in need. (more…)
  • Immemory
    Apr 12 – Jun 30, 2024
    Keelung Museum of Art
    Keelung City, Taiwan
    Immemory, “bē-kì-tit” in Taiwanese, is a memory project focusing on the “historical turn” in contemporary art over the past decade in specifically the local context of Keelung. The exhibition considers historical objects and facts as the “thing-in-itself,” aiming to explore Foucault’s concept of “historical a priori” through self-reflexive historiography. The project presents five leitmotifs: “archive fever,” “cold cold war,” “things as the historical a priori,” “politics of exosomatic memory,” and “settler colonialism vs colonialism.” (more…)
  • Maria Sturm: You Don’t Look Native to Me
    Publication
    Void
    International
    In 2011, Maria Sturm began to photograph the lives of young people from the Lumbee Tribe around Pembroke, Robeson County, North Carolina. Through the process of documenting their lives, Sturm began to question her own understanding of what it means to be Native American. Her new book You Don’t Look Native to Me combines photographs with interviews and texts to preconceptions and show Native identity not as fixed, but evolving and redefining itself with each generation. (more…)
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