Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…
Dela Anyah was the Second Runner-Up for the Kuenyehia Prize. His work is included in the collections of the Celine Art Project (Puerto Banus), Sir David Adjaye (New York, London, Accra), the Kuenyehia Collection, the Institute Museum of Ghana, and the Isshaq Foundation in Accra, Ghana.
Selected solo exhibitions include: Nubuke Foundation, Accra (2023), and The Noldor Residency, Accra (2022). Selected group exhibitions include: The Anzai Gallery, Tokyo (2024), Museum of Science and Technology, Accra (2023), Institute Museum of Ghana, Accra (2023), Mitchell-Innes & Nash, New York (2023), and Galleri Christoffer Egelund, Copenhagen (2023).
Dela Anyah’s artistic practice spans sculpture, painting, and installation, focusing on the transformative power of discarded materials such as inner tubes, tires, license plates, and bicycle rims – objects commonly found within vulcanizer and vehicle repair spaces. Drawing inspiration from the unconventional aesthetics, dynamic forms, and movements found in the world of fashion, his work explores the concept of rebirth through decay. Influenced by elements of nature – nests, vines, and symbols of new beginnings – his creations embody a narrative of regeneration and renewal.
Dela approaches rubber inner tubes as fabric, intricately weaving them into garments that tell stories of their former lives, histories, and speculative futures, had they faced destruction. This process of collection and transformation reveals the inherent beauty and purpose in what was once considered worthless, breathing new life into decaying objects.
His artworks become storied objects, steeped in the histories of their materials, the environments from which they were salvaged, and the eras they represent. Each piece represents a continuous dialogue between past and future, decay and renewal, challenging viewers to reconsider notions of value and beauty.
Through his work, Dela aims to cultivate a deep appreciation for the discarded and overlooked, emphasizing the potential for regeneration and the beauty that emerges from neglect and decay.
Dela Anyah’s artistic practice spans sculpture, painting, and installation, focusing on the transformative power of discarded materials such as inner tubes, tires, license plates, and bicycle rims – objects commonly found within vulcanizer and vehicle repair spaces. Drawing inspiration from the unconventional aesthetics, dynamic forms, and movements found in the world of fashion, his work explores the concept of rebirth through decay. Influenced by elements of nature – nests, vines, and symbols of new beginnings – his creations embody a narrative of regeneration and renewal.
Dela approaches rubber inner tubes as fabric, intricately weaving them into garments that tell stories of their former lives, histories, and speculative futures, had they faced destruction. This process of collection and transformation reveals the inherent beauty and purpose in what was once considered worthless, breathing new life into decaying objects.
His artworks become storied objects, steeped in the histories of their materials, the environments from which they were salvaged, and the eras they represent. Each piece represents a continuous dialogue between past and future, decay and renewal, challenging viewers to reconsider notions of value and beauty.
Through his work, Dela aims to cultivate a deep appreciation for the discarded and overlooked, emphasizing the potential for regeneration and the beauty that emerges from neglect and decay.
Dela Anyah was the Second Runner-Up for the Kuenyehia Prize. His work is included in the collections of the Celine Art Project (Puerto Banus), Sir David Adjaye (New York, London, Accra), the Kuenyehia Collection, the Institute Museum of Ghana, and the Isshaq Foundation in Accra, Ghana.
Selected solo exhibitions include: Nubuke Foundation, Accra (2023), and The Noldor Residency, Accra (2022). Selected group exhibitions include: The Anzai Gallery, Tokyo (2024), Museum of Science and Technology, Accra (2023), Institute Museum of Ghana, Accra (2023), Mitchell-Innes & Nash, New York (2023), and Galleri Christoffer Egelund, Copenhagen (2023).
Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…
Welcome to the new Online Boutique of Artpil with unique contemporary art works, limited edition photography, and monograph artist and photo books available for purchase. Here are some featured collections.
Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…
Anna Hulačová’s figurative sculptures combine influences from Surrealism, Socialist Realism, and Czech folk art to create a distinctive cosmos of their own. Schirn Kunsthalle Frankfurt is presenting the artist’s first solo exhibition in Germany…
Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.
‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.
Tate, in collaboration with Delfina Foundation, invites applications for the Brooks International Fellowship Programme 2027. Now in its thirteenth year, the programme will enable practitioners to work with Tate…