Anonymous, this is not about any one person or a particular artist. This project is akin to finding fading pages from an anonymous diary and placing them in a time capsule for future generations.
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Diana Markosian
photographer
Diana Markosian is a documentary photographer whose reporting has taken her from Russia’s North Caucasus mountains, to the ancient Silk Road in Tajikistan, and overland to the remote Wakhan Corridor in northeastern Afghanistan, where she has worked on both personal and editorial assignments.
Markosian’s images have appeared in Boston Globe, Foreign Policy, Foto8, Marie Claire, the New York Times, the Sunday Times, Time.com, and World Policy Journal. Her work has also been exhibited by international organizations such as Amnesty International, Human Rights Watch, and UNICEF.
Her work has been recognized with awards including Columbia University’s photographer of the year (2010), the National Press Photography Association second place in multimedia (2011), Reuters’ best 100 photos of the year (2011), Marie Claire International Photography Award (2012), Reportage by Getty Images’ Emerging Talent roster (2012), New Generation Grant (2013) and Burn Magazine’s Emerging Photographer Fund (2013). In 2013, Markosian was selected to participate in the World Press Photo Joop Swart Masterclass in Amsterdam.
Markosian is represented by Reportage by Getty Images.
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What We Found After You Left / Naeem MohaiemenSep 21, 2019 – May 10, 2020
While focusing on moments of mistake and misrecognition, Naeem Mohaiemen’s research into aspirations towards utopia during the Cold War era, manifested through decolonization, revolution, and independence.
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Submit to ARTPILYear Round / International
ARTPIL is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, ARTPIL provides stories, event news, interviews featuring profiles of artists of all disciplines, museums & galleries, agencies & organizations, both curated and from the public domain. (more…)
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Darkest HourBrexit and the British youth
Darkest Hour, this pearl of stylish and emotive documentary was directed by Thomas Ralph, just after the initial Brexit referendum over three years ago (more…)
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ARTPIL / Prescription .107Look back on 2019
We are at the year’s end, 2019. There is not a singularity of form which could define the past twelve months, or any epoch. This year, we have had our part of crisis and tension, distorted visions, along with struggles in identity, politics, and culture.
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In The Next Door RoomPhotography of Lise Sarfati
The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)
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Gerhard Richter: Painting After AllMarch 4 – July 5, 2020
This exhibition at The Met Bauer considers Richter Gerhard’s six decade long preoccupation with the dual means of representation and abstraction to explore the material, conceptual, and historical implications of painting.
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The Treachery of MemorySally Mann
There are aspects of memories that we choose to remember, imagining small details that weren’t actually there, or bits that never really occurred, and perhaps now we rely too much on photography to help us make these moments more clear. (more…)
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Circulation(s) / 2020March 14 – May 10, 2020
The 10th anniversary edition of Festival Circulation(s) dedicated to emerging photography in Europe and hosted at Le Centquatre – Paris reveals the vitality of young creation and speaks to the diversity of photographic expressions through unique exhibits and events.
