Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. (more…)
Documenta und Museum Fridericianum gGmbH is a non-profit organization supported and funded by the City of Kassel and the State of Hesse, as well as by the German Federal Cultural Foundation.
In 1955, the Kassel painter and academy professor Arnold Bode endeavored to bring Germany back into dialogue with the rest of the world after the end of World War II, and to connect the international art scene through a “presentation of twentieth century art.” He founded the “Society of Western Art of the 20th Century” in order to present art that had been deemed by the Nazis as degenerate as well as works from classical modernity that had never been seen in Germany in the destroyed Museum Fridericianum.
The first Documenta was a retrospective of works from major movements (Fauvism, Expressionism, Cubism, the Blaue Reiter, Futurism) and brilliant individualists such as Pablo Picasso, Max Ernst, Hans Arp, Henri Matisse, Wassily Kandinsky, and Henry Moore. In this journey through the art of the first fifty years of the century, German founders of modern art such as Paul Klee, Oskar Schlemmer, or Max Beckmann were presented alongside classics of modernism.
Each Documenta takes its character from the ideas and concept of its Artistic Director, and is therefore not only a forum for current trends in contemporary art, but a place where innovative and standards-setting exhibition concepts are tried. In each edition, Documenta has played a leading role in taking the international discourse about art in new directions. Over the past decades, Documenta has established itself as an institution that goes far beyond a survey of what is currently happening, inviting the attention of the international art world every five years for this “museum of 100 days.” The discourse and the dynamics of the discussion surrounding each Documenta reflects and challenges the expectations of society about art.
This comprehensive exhibition brings together rarely seen works from two of Robert Rauschenberg’s most innovative series. For a period of 15 years, Rauschenberg made several trips to Japan where he created ceramic artworks using a newly developed technique (more…)
Art has the power to investigate society and present alternative interpretations of our shared world. Works featured in ARS22 explore the everyday lives and dreams of individuals and communities. They raise questions about our relationship with the world (more…)
Hear You Athens is a series of 50 photographs and two letters, a correspondence between two friends, Georges Salameh and Alexandros Mistriotis. Their conversation, over the years, is summarized in this book. (more…)
Newport Street Gallery is proud to present The Cloud of Witness, an exhibition of over 70 works by little-known Australian artist Keith Cunningham, which runs from February 16 – August 21, 2022. (more…)
Born in 1958 in Oran, Algeria Lise Sarfati lives and works between Paris and Los Angeles and is represented by Yossi Milo Gallery, NY, Rose Gallery, LA, La Galerie Particulière, Paris.
As of Friday, February 25, 2022, The Calvert Journal ceased publication until further notice. At a time when Russian acts of war are being committed in Ukraine, we cannot in good conscience continue our work covering culture and the arts like business as usual. (more…)
This year, and for the first time, the opening of the Horst exhibition, titled The Act of Breathing, is coinciding with the three-day Horst Arts & Music festival, from April 29 – May 1, 2022. After the festival weekend, the exhibition reopens from May 12 – July 31, 2022. (more…)