The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)
Documenta und Museum Fridericianum gGmbH is a non-profit organization supported and funded by the City of Kassel and the State of Hesse, as well as by the German Federal Cultural Foundation.
In 1955, the Kassel painter and academy professor Arnold Bode endeavored to bring Germany back into dialogue with the rest of the world after the end of World War II, and to connect the international art scene through a “presentation of twentieth century art.” He founded the “Society of Western Art of the 20th Century” in order to present art that had been deemed by the Nazis as degenerate as well as works from classical modernity that had never been seen in Germany in the destroyed Museum Fridericianum.
The first Documenta was a retrospective of works from major movements (Fauvism, Expressionism, Cubism, the Blaue Reiter, Futurism) and brilliant individualists such as Pablo Picasso, Max Ernst, Hans Arp, Henri Matisse, Wassily Kandinsky, and Henry Moore. In this journey through the art of the first fifty years of the century, German founders of modern art such as Paul Klee, Oskar Schlemmer, or Max Beckmann were presented alongside classics of modernism.
Each Documenta takes its character from the ideas and concept of its Artistic Director, and is therefore not only a forum for current trends in contemporary art, but a place where innovative and standards-setting exhibition concepts are tried. In each edition, Documenta has played a leading role in taking the international discourse about art in new directions. Over the past decades, Documenta has established itself as an institution that goes far beyond a survey of what is currently happening, inviting the attention of the international art world every five years for this “museum of 100 days.” The discourse and the dynamics of the discussion surrounding each Documenta reflects and challenges the expectations of society about art.