Across generations, the Stars and Stripes has inspired pride, protest, and profound artistic expression. From battlefields to modern cultural movements, our flag’s journey through art reveals a nation constantly redefining itself.









With a career stretching back to the early 1990s, Dora García’s unique oeuvre is internationally renowned for her rigorous and incisive work based on extensive artistic research into the blurred boundaries between the real and its representation. Through performances, drawings, films, texts, expanded books or installations, she lays bare the mechanisms that rule cultural communication processes, exploring and questioning the nature of the relationship between artist, artwork and audience. García’s work is filled with references to literature, theater or psychoanalysis. For her upcoming exhibition at ProjecteSD, entitled La Peste (The Plague), she uses literature again referring to Albert Camus’ text to unfold a series of new works based on drawings and performance.
García (Valladolid, 1965) represented Spain at the Venice Biennale in 2011 and in 2012 she participated in Documenta (13). She has had solo shows at the CGAC (Santiago de Compostela, 2009), Galleria Civica di Trento (2010), Power Plant (Toronto, 2011), Kunsthaus Bregenz (2013), Universidad Torcuato di Tella (Buenos Aires, 2014) and recently at the MNCARS (Madrid, 2018), and Museo Reina Sofia, to mention a few.
With a career stretching back to the early 1990s, Dora García’s unique oeuvre is internationally renowned for her rigorous and incisive work based on extensive artistic research into the blurred boundaries between the real and its representation. Through performances, drawings, films, texts, expanded books or installations, she lays bare the mechanisms that rule cultural communication processes, exploring and questioning the nature of the relationship between artist, artwork and audience. García’s work is filled with references to literature, theater or psychoanalysis. For her upcoming exhibition at ProjecteSD, entitled La Peste (The Plague), she uses literature again referring to Albert Camus’ text to unfold a series of new works based on drawings and performance.
García (Valladolid, 1965) represented Spain at the Venice Biennale in 2011 and in 2012 she participated in Documenta (13). She has had solo shows at the CGAC (Santiago de Compostela, 2009), Galleria Civica di Trento (2010), Power Plant (Toronto, 2011), Kunsthaus Bregenz (2013), Universidad Torcuato di Tella (Buenos Aires, 2014) and recently at the MNCARS (Madrid, 2018), and Museo Reina Sofia, to mention a few.









Across generations, the Stars and Stripes has inspired pride, protest, and profound artistic expression. From battlefields to modern cultural movements, our flag’s journey through art reveals a nation constantly redefining itself.
The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.
Anna Hulačová’s figurative sculptures combine influences from Surrealism, Socialist Realism, and Czech folk art to create a distinctive cosmos of their own. Schirn Kunsthalle Frankfurt is presenting the artist’s first solo exhibition in Germany…
‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.