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Dora Garcia
Artist
With a career stretching back to the early 1990s, Dora García’s unique oeuvre is internationally renowned for her rigorous and incisive work based on extensive artistic research into the blurred boundaries between the real and its representation. Through performances, drawings, films, texts, expanded books or installations, she lays bare the mechanisms that rule cultural communication processes, exploring and questioning the nature of the relationship between artist, artwork and audience. García’s work is filled with references to literature, theater or psychoanalysis. For her upcoming exhibition at ProjecteSD, entitled La Peste (The Plague), she uses literature again referring to Albert Camus’ text to unfold a series of new works based on drawings and performance.
García (Valladolid, 1965) represented Spain at the Venice Biennale in 2011 and in 2012 she participated in Documenta (13). She has had solo shows at the CGAC (Santiago de Compostela, 2009), Galleria Civica di Trento (2010), Power Plant (Toronto, 2011), Kunsthaus Bregenz (2013), Universidad Torcuato di Tella (Buenos Aires, 2014) and recently at the MNCARS (Madrid, 2018), and Museo Reina Sofia, to mention a few.
Dora Garcia
Artist
With a career stretching back to the early 1990s, Dora García’s unique oeuvre is internationally renowned for her rigorous and incisive work based on extensive artistic research into the blurred boundaries between the real and its representation. Through performances, drawings, films, texts, expanded books or installations, she lays bare the mechanisms that rule cultural communication processes, exploring and questioning the nature of the relationship between artist, artwork and audience. García’s work is filled with references to literature, theater or psychoanalysis. For her upcoming exhibition at ProjecteSD, entitled La Peste (The Plague), she uses literature again referring to Albert Camus’ text to unfold a series of new works based on drawings and performance.
García (Valladolid, 1965) represented Spain at the Venice Biennale in 2011 and in 2012 she participated in Documenta (13). She has had solo shows at the CGAC (Santiago de Compostela, 2009), Galleria Civica di Trento (2010), Power Plant (Toronto, 2011), Kunsthaus Bregenz (2013), Universidad Torcuato di Tella (Buenos Aires, 2014) and recently at the MNCARS (Madrid, 2018), and Museo Reina Sofia, to mention a few.
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RELATED ARTICLES
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John Bock: PARA-SCHIZO, ensnarledOct 26 – Dec 13, 2023After a five-year hiatus, German artist John Bock is returning to New York to inaugurate his eleventh exhibition at Anton Kern Gallery with a “lecture” (performance) on the night of the opening. Bock’s universe is a bold, even daring synthesis of different genres including sculpture, performance, and film. In it, material objects, language, and the human body are given equal value; their interactions are powered by the logic of the collage principle, the combination of disparate entities to create a new thing. (more…)
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Cansu Cürgen & Avşar Gürpınar: When Pigs FlyApr 23 – Dec 23, 2023Yanköşe, contemporary art project opens up a space of expression for artists who produce unexpected, experimental contemporary artworks. Yanköşe aims to host the works of two different artists every year, and is among the few public art projects in Turkey. Yanköşe reaches thousands of people every day because of its location in the city. (more…)
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David Lamelas: I Have to Think About ItMay 6, 2023 – Feb 24, 2024From 7 May 2023 to 24 February 2024 the Fondazione Antonio Dalle Nogare presents I Have to Think About It, the first Italian retrospective exhibition devoted to Argentinean artist David Lamelas. Author of one of the most fascinating conceptual researches dating back to the end of the 1960s, Lamelas’ practice ranges from installation to sculpture, drawing, photography, film, video, sound and textual works (more…)
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Lutz Bacher: AYE!Oct 5 – Dec 17, 2023This exhibition of the unsettling, uncategorisable work of American artist Lutz Bacher (1943–2019) explores her use of music, sound and voice. Bacher’s work oscillates between the conceptual and the visceral. Much of it involves appropriation, using material from American popular culture and flotsam from the information age (pulp fiction, self-help manuals, trade magazines, scientific publications, pornography, bureaucracy, discarded photographs), in work that can be intimate, violent or funny. (more…)
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30 Under 30 Women Photographers / SubmitDeadline Dec 31, 2023Artpil announces the call for entries for the annual 30 Under 30 Women Photographers. Deadline for consideration for the 2024 group is December 31, 2023. (more…)
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Victor Man: The Lines of LifeOct 14, 2023 – Feb 4, 2024With his sensitive and time-transcending compositions, Romanian artist Victor Man is one of the most sought-after painters of the present – and one of the most extraordinary. In the midst of the Old Masters Collection, the Städel Museum is presenting an exhibition of works from the past ten years dedicated to his artistic focus: portraits. (more…)
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CATCH: What can we extract from the flow of life?Nov 4, 2023 – Apr 14, 2024What can we extract from the flow of life? The word ‘catch’ may mean, among other things, gathering a moving object as well as grasping, observing and understanding. It may also mean discovery or recognition. In the works of the exhibition, the world is in motion. They direct our attention to presence. (more…)
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Black Atlantic: Power, People, ResistanceSep 8, 2023 – Jan 7, 2023Which stories get remembered, and why? This exhibition explores some new stories from history – stories that help us to separate fact from fiction and history from myth. By bringing together collections from across the University of Cambridge’s museums, libraries and colleges with loans from around the world, Black Atlantic: Power, People, Resistance asks new questions about Cambridge’s role in the transatlantic slave trade and looks at how objects and artworks have influenced history and perspectives. (more…)
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Vinca Petersen: Me, Us and DogsNov 3 – Dec 16, 2023Edel Assanti is pleased to present Vinca Petersen’s second solo exhibition at the gallery, Me, Us and Dogs, concurrent with the artist’s inclusion in two inaugural displays on view in London at the V&A Photography Centre and the recently reopened National Portrait Gallery. (more…)
