Edoardo Caimi
Artist

Caimi started his research when he was young. Exploring the nature around him became the mean through which he was confronting with life. He treasured the found objects by collecting them, and this aspect never left his practice. Simultaneously with the discovery of graffiti, the natural environment he was used to explore gradually left space to industrial spaces such as abandoned factories, or abandoned farmhouse in the countryside. His approach has always gone beyond the classic rules: at the beginning he was used to highlight stains on walls left by the attempt to erase other previous graffiti. By doing this his tags turned into abstract shapes. Later on, these outlines were transferred to found objects found in the place, so that the attention towards them became much more significant. The iconography of ruin, in the postmodern era, brings with it the signs of its past, by defining a stratification of time. It is an expression of the tensions between nature and structure.

Edoardo Caimi
Artist

Caimi started his research when he was young. Exploring the nature around him became the mean through which he was confronting with life. He treasured the found objects by collecting them, and this aspect never left his practice. Simultaneously with the discovery of graffiti, the natural environment he was used to explore gradually left space to industrial spaces such as abandoned factories, or abandoned farmhouse in the countryside. His approach has always gone beyond the classic rules: at the beginning he was used to highlight stains on walls left by the attempt to erase other previous graffiti. By doing this his tags turned into abstract shapes. Later on, these outlines were transferred to found objects found in the place, so that the attention towards them became much more significant. The iconography of ruin, in the postmodern era, brings with it the signs of its past, by defining a stratification of time. It is an expression of the tensions between nature and structure.

  • Lukasz Palka: Tokyo Unseen
    Publication
    teNeues
    International
    After the successful parts of the Unseen series about New York, London and Berlin, Tokyo Unseen is another authentic approach to one of the largest and most fascinating metropolises of our civilisation. The impressive illustrated book presents the city of contrasts in a fascinating honesty that only an inhabitant of this city of millions can portray in such a direct way. (more…)
  • Patrick Weldé: Freiheit
    Publication
    Goswell Road
    International
    On the occasion of our exhibition with Weldé at CFAlive Milan L’AMOUR TOUJOURS, we publish a new edition of the previously sold-out book that we produced with Weldé in 2017, FREIHEIT. All of the photographs in FREIHEIT were taken by Weldé on disposable cameras between 2011-2015. They show a tender side to the artist and his friend circle, and the purest form of trust. (more…)
  • Sage Sohier: Passing Time
    Publication
    Nazraeli Press
    International
    “During the isolation of the pandemic, I had the opportunity to revisit my archive of negatives and contact sheets from the 1980s, and discovered a number of interesting images that I had never printed. These photographs were made between 1979 and 1985 in a pre-digital, largely un-air-conditioned era, when people fled the heat of their houses to hang out in their yards and on the street. (more…)