Artpil is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, Artpil provides stories, event news, exhibition guides and interviews, featuring profiles of artists of all disciplines (more…)
Edward Hopper is widely acknowledged as the most important realist painter of twentieth-century America. But his vision of reality was a selective one, reflecting his own temperament in the empty cityscapes, landscapes, and isolated figures he chose to paint. His work demonstrates that realism is not merely a literal or photographic copying of what we see, but an interpretive rendering.
Edward Hopper was born in 1882, in NY, into a middle class family. From 1900 to 1906 he studied at the NY School of Art, and while in school, shifted from illustration to works of fine art. Upon completing his schooling, he worked as an illustrator for a short period of time; once this career path ended, he made three international trips, which had a great influence on the future of his work, and the type of art he would engage in during the course of his career. He made three trips to Europe between 1906 and 1910. In retrospect, Europe meant France, and more specifically, Paris, for Edward Hopper. This city, its architecture, light, and art tradition, decisively affected his development.
In Edward Hopper’s most famous piece, Nighthawks, there are four customers and a waiter, who are in a brightly lit diner at night. It was a piece created during a wartime; and many believe that their disconnect with the waiter, and with the external world, represent the feelings of many Americans during this period, because of the war. The piece was set up in 1942, in the Art Institute of Chicago.
Artpil is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, Artpil provides stories, event news, exhibition guides and interviews, featuring profiles of artists of all disciplines (more…)
At the end of the spiral, an encounter
between mind and earth
And yet the landing is not forced; it’s invited and aerial.
It is only on leaving the spiral that the obvious becomes apparent. Landing does not require a specific destination. It is simply a matter of crossing the air to put your feet down in your thoughts and count your memories. (more…)
The U.N. has designated November 25th as International Day for the Elimination of Violence Against Women. By truism, this is a proposition that states really nothing beyond what is implied by its terms… (more…)
Alec Soth’s work is rooted in the distinctly American tradition of ‘on-the-road photography’ developed by Walker Evans, Robert Frank, and Stephen Shore. From Huckleberry Finn to Easy Rider there seems to be a uniquely American desire to travel and chronicle the adventures that consequently ensue. (more…)
Max Beckmann (1884–1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. (more…)
In the midst of chaos we hunt for dreams. It blends together. Their memories became my memories. Once-present. A personal story of search and encounters, of escape and returning.
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This comprehensive exhibition brings together rarely seen works from two of Robert Rauschenberg’s most innovative series. For a period of 15 years, Rauschenberg made several trips to Japan where he created ceramic artworks using a newly developed technique (more…)
Fotografiska is an international meeting place where everything revolves around photography. Located in the heart of Stockholm, with additional locations in New York, London and Tallinn (more…)
Using subtle methods and an economy of materials, Fred Sandback’s work creates striking perceptual effects in response to the surrounding architecture. (more…)