Ekaterina Anchevskaya is a documentary photographer and filmmaker. Originally from Russia, Ekaterina finds her inspiration in her homeland and its distinct culture. She was preparing for film school before deciding to switch to Journalism and Spanish studies, but cinematography still has a huge influence on her way of telling stories. Currently she is based between Russia and the UK where she continues her studies in Photojournalism and Documentary Film.
She has been documenting stories in Eastern Europe, Siberia, the Middle East and Caucasus. Her work is focused on the lives of those neglected by society and those experiencing hardships, and the connection between humans and the environment. She always tries to build a confiding relationship with characters spending a lot of time with them in order to showcase their emotions and capture the atmosphere of the place. She is interested in studying memory and human behavior in the light of history and political situations.
One of the current stories is based in Turkey where Ekaterina is following the love story of a Syrian refugee involved in smuggling.
Ekaterina’s work has been shown in Russia, Spain, Colombia, the UK and other countries. She was awarded with an Environmental Bursary of the Royal Photographic Society of Great Britain and was selected as one of Getty Reportage Emerging Talents.
Ekaterina Anchevskaya is a documentary photographer and filmmaker. Originally from Russia, Ekaterina finds her inspiration in her homeland and its distinct culture. She was preparing for film school before deciding to switch to Journalism and Spanish studies, but cinematography still has a huge influence on her way of telling stories. Currently she is based between Russia and the UK where she continues her studies in Photojournalism and Documentary Film.
She has been documenting stories in Eastern Europe, Siberia, the Middle East and Caucasus. Her work is focused on the lives of those neglected by society and those experiencing hardships, and the connection between humans and the environment. She always tries to build a confiding relationship with characters spending a lot of time with them in order to showcase their emotions and capture the atmosphere of the place. She is interested in studying memory and human behavior in the light of history and political situations.
One of the current stories is based in Turkey where Ekaterina is following the love story of a Syrian refugee involved in smuggling.
Ekaterina’s work has been shown in Russia, Spain, Colombia, the UK and other countries. She was awarded with an Environmental Bursary of the Royal Photographic Society of Great Britain and was selected as one of Getty Reportage Emerging Talents.
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.
Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.