Why Should I Hesitate: Putting Drawings to Work is a major exhibition by internationally acclaimed artist, William Kentridge. The exhibition will be the largest exhibition held in Africa in over a decade and will be hosted simultaneously in two parts, alongside Norval Foundation‘s Why Should I Hesitate: Sculpture. (more…)

ARTPIL is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, ARTPIL provides stories, event news, interviews featuring profiles of artists of all disciplines, museums & galleries, agencies & organizations, both curated and from the public domain. (more…)

Artpil is seeking to hire a part-time, freelance assistant & intern in Lille, France. Research, create and cultivate relations with galleries and museums, general communications, social networking, general assistance.

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Artpil is proud to announce for its 11th edition the selections for the 30 Under 30 Women Photographers 2020. Founded in 2010, 30 Under 30 Women Photographers has helped emerging, mid-career, as well as some accomplished women photographers to gain further exposure (more…)

Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.

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This exhibition at The Met Bauer considers Richter Gerhard’s six decade long preoccupation with the dual means of representation and abstraction to explore the material, conceptual, and historical implications of painting.

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“I wanted to portray the violent transformation of nature in the European periphery. I have experienced that the concept of wilderness, and virgin land untouched by humans, has disintegrated.” –Helene Schmitz

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Over the course of a nearly fifty-year career, the Canadian artist Jeff Wall has transformed our understanding of photography and pushed the medium into the center of fine art practice. (more…)

This exhibit Reading Time in Space / Modernism at mumok 1910 to 1955 traces passages of time and artistic concepts, accounting the idea of an expanded concept of art, one that relies on connection and permeation beyond a traditional chronological order.

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