Max Beckmann (1884–1950) was a German painter, draftsman, printmaker, sculptor, and writer. Although he is classified as an Expressionist artist, he rejected both the term and the movement. (more…)

Bodyfulness consists of a series of photographs and musical compositions revealing the potentials and paradoxes of digital intimacy. The work is accompanied by video referring to popular online voice-guided meditations (more…)

Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.

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Artpil is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, Artpil provides stories, event news, exhibition guides and interviews, featuring profiles of artists of all disciplines (more…)

Flavio-Shiró is a cult artist, a painter’s painter. His work defies categorization or association with any artistic group or movement. For more than six decades, his work has simply been modern.

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On the horizon of the district between old, handmade fences and the sky, you can see the newly built glass skyscrapers in the bright light of the coastal center of the city, as if portending future innovations of Bayil. (more…)

Ingel Vaikla is a visual artist and filmmaker from Estonia. She studied photography in Estonian Academy of Fine Arts (BA) and film in Royal Academy of Fine Arts in Gent (MA). In her work she questions the relationship between architecture and its users, and the representation of architecture in camera based mediums. (more…)

Todd Hido is a San Francisco Bay Area-based artist whose work has been featured in Artforum, The New York Times Magazine, Eyemazing, Wired, Elephant, FOAM, and Vanity Fair. (more…)

In the late summer of 2016, I spent six weeks in the Inner Mongolia Autonomous Region where I documented the transformation of some of the most influential cities in the region: Ordos, Hohhot, and Baotou. While looking back on the images I had taken, I was unexpectedly reminded of post-war Italian cinema (more…)