The Erika Deák Gallery, one of the first commercial galleries in Hungary, was founded in 1998. Ever since it’s opening, the gallery is determined to find and exhibit timeless, yet progressive Hungarian and international art, in all medium. Besides providing a platform for gallery artists to present their work regularly, we host independent projects, and invite a young curator each year to organize a group exhibition. Beside constantly seeking for new artists, it is also the gallery’s mission to continue art historical dialogues and bring different generations together. Erika Deák also founded a scholarship on the Moholy Nagy University, Budapest, where each year she grants an exceptional MA student in curatorial studies.
Erika Deak Gallery
The Erika Deák Gallery, one of the first commercial galleries in Hungary, was founded in 1998. Ever since it’s opening, the gallery is determined to find and exhibit timeless, yet progressive Hungarian and international art, in all medium. Besides providing a platform for gallery artists to present their work regularly, we host independent projects, and invite a young curator each year to organize a group exhibition. Beside constantly seeking for new artists, it is also the gallery’s mission to continue art historical dialogues and bring different generations together. Erika Deák also founded a scholarship on the Moholy Nagy University, Budapest, where each year she grants an exceptional MA student in curatorial studies.
Erika Deak Gallery

Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
Inspired by 16 years of shooting some of the biggest names in the music world, witnessing the rise and fall of pop icons, and watching descents into madness, Collins created two fictional music groups exclusively for this publication.
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.