Galerie Kornfeld presents Auto-Splash, Martin Spengler’s first solo exhibition in Berlin, featuring sculptures and picture reliefs made of corrugated cardboard. (more…)
Ernst Haas (1921–1986) is acclaimed as one of the most celebrated and influential photographers of the 20th century and considered one of the pioneers of color photography. Haas was born in Vienna in 1921, and took up photography after the war. His early work on Austrian returning prisoners of war brought him to the attention of LIFE magazine. He declined a job offer as staff photographer in order to keep his independence. At the invitation of Robert Capa, Haas joined Magnum in 1949, developing close associations with Capa, Henri Cartier-Bresson, and Werner Bishof.
Haas moved to the United States in 1951 and soon after, began experimenting with Kodachrome color film. He went on to become the premier color photographer of the 1950s. In 1953 LIFE magazine published his groundbreaking 24-page color photo essay on New York City. This was the first time such a large color photo feature was published by LIFE. In 1962 a retrospective of his work was the first color photography exhibition held at New York’s Museum of Modern Art.
Throughout his career, Haas traveled extensively, photographing for LIFE, Vogue, and Look, to name a few of many influential publications. He authored four books during his lifetime: The Creation (1971), In America (1975), In Germany (1976), and Himalayan Pilgrimage (1978).
Ernst Haas received the Hasselblad award in 1986, the year of his death. Haas has continued to be the subject of museum exhibitions and publications such as Ernst Haas, Color Photography (1989), Ernst Haas in Black and White (1992), and Color Correction (2011). The Ernst Haas Studio, located in New York, continues to manage Haas’s legacy, aiding researchers and overseeing all projects related to his work.
Galerie Kornfeld presents Auto-Splash, Martin Spengler’s first solo exhibition in Berlin, featuring sculptures and picture reliefs made of corrugated cardboard. (more…)
Anonymous, this is not about any one person or a particular artist. This project is akin to finding fading pages from an anonymous diary and placing them in a time capsule for future generations.
In the late summer of 2016, I spent six weeks in the Inner Mongolia Autonomous Region where I documented the transformation of some of the most influential cities in the region: Ordos, Hohhot, and Baotou. While looking back on the images I had taken, I was unexpectedly reminded of post-war Italian cinema (more…)
Gray is pleased to present Nocturne, a solo exhibition of new sculpture by Jaume Plensa. Debuting nine of the artist’s latest works in stone, glass, steel, and bronze, Nocturne explores the artist’s range and mastery of sculptural portraiture. (more…)
Fotografiska is an international meeting place where everything revolves around photography. Located in the heart of Stockholm, with additional locations in New York, London and Tallinn (more…)
Flavio-Shiró is a cult artist, a painter’s painter. His work defies categorization or association with any artistic group or movement. For more than six decades, his work has simply been modern.
Dia Center was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope. (more…)
Chantal Joffe brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Hers is a deceptively casual brushstroke. (more…)
Dance is my life. It has kept me alive. Performance is a natural extension of it and through it. I’ve made my most cherished human connections. (more…)