Etel Adnan’s career spans several decades and encompasses a wide range of media – including painting, drawing, tapestry, film, ceramics, and leporello artist books – as it does traditions and locations. Adnan was first an author of poetry and prose, often addressing and protesting against the turmoil of the Vietnam War and the Lebanese Civil War. Informing her writing and later her artwork as well, was the landscape, its own history and her emotional and physical response to it. For Adnan, the landscape is mingled with memory, especially a sentiment of displacement, as she was born and raised in Lebanon, but has lived, studied, and worked in France and California throughout her life.
In 2012, Adnan was included in Documenta (13) in Germany. Since then, numerous museums have presented solo exhibitions of the artist’s work, including Etel Adnan:
The Weight of the World, Serpentine Galleries, England (2016); Etel Adnan: La Joie de Vivre, Museum Haus Konstruktiv, Switzerland (2016); Etel Adnan, Irish Museum of Modern Art, Ireland (2015); Etel Adnan: Writing Mountains, Museum der Moderne Salzburg, Austria (2014-2015); and Etel Adnan in All Her Dimensions, Mathaf: Arab Museum of Modern Art, Qatar (2014). Adnan’s work is included in major public collections such as the British Museum, England; Centre Georges Pompidou, France; Institut du Monde Arabe, France; National Museum of Women in the Arts, Washington, D.C.; M+, Hong Kong, China; Museum of Modern Art, New York; Museum of Modern Art, Tunisia; and Whitney Museum of American Art, New York.
Etel Adnan’s career spans several decades and encompasses a wide range of media – including painting, drawing, tapestry, film, ceramics, and leporello artist books – as it does traditions and locations. Adnan was first an author of poetry and prose, often addressing and protesting against the turmoil of the Vietnam War and the Lebanese Civil War. Informing her writing and later her artwork as well, was the landscape, its own history and her emotional and physical response to it. For Adnan, the landscape is mingled with memory, especially a sentiment of displacement, as she was born and raised in Lebanon, but has lived, studied, and worked in France and California throughout her life.
In 2012, Adnan was included in Documenta (13) in Germany. Since then, numerous museums have presented solo exhibitions of the artist’s work, including Etel Adnan:
The Weight of the World, Serpentine Galleries, England (2016); Etel Adnan: La Joie de Vivre, Museum Haus Konstruktiv, Switzerland (2016); Etel Adnan, Irish Museum of Modern Art, Ireland (2015); Etel Adnan: Writing Mountains, Museum der Moderne Salzburg, Austria (2014-2015); and Etel Adnan in All Her Dimensions, Mathaf: Arab Museum of Modern Art, Qatar (2014). Adnan’s work is included in major public collections such as the British Museum, England; Centre Georges Pompidou, France; Institut du Monde Arabe, France; National Museum of Women in the Arts, Washington, D.C.; M+, Hong Kong, China; Museum of Modern Art, New York; Museum of Modern Art, Tunisia; and Whitney Museum of American Art, New York.
Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.