Federica Iannuzzi
Photographer

I graduated from the University of Milan with a thesis in prehistory, and at the same time, I started working in the photographic collective Cesura as Gabriele Micalizzi’s assistant with whom I worked for three years until 2019.

Since 2020 I have been living between Milan and Catania and after a master’s degree in publishing, I currently work as a producer, editorial assistant, and freelance photographer.

Through my background in history studies, I realized how the perception of time was a pivotal element of my photographic works. Lunario dei Giorni di Quiete is a work that tries to acquire a universal meaning of time and memories, and that can also accommodate the visions of others so as to make my works interpretable for everyone.

Federica Iannuzzi
Photographer

I graduated from the University of Milan with a thesis in prehistory, and at the same time, I started working in the photographic collective Cesura as Gabriele Micalizzi’s assistant with whom I worked for three years until 2019.

Since 2020 I have been living between Milan and Catania and after a master’s degree in publishing, I currently work as a producer, editorial assistant, and freelance photographer.

Through my background in history studies, I realized how the perception of time was a pivotal element of my photographic works. Lunario dei Giorni di Quiete is a work that tries to acquire a universal meaning of time and memories, and that can also accommodate the visions of others so as to make my works interpretable for everyone.

  • Mat Collishaw: Alluvion
    Jun 6 – Oct 15, 2023
    M77 Gallery
    Milan, Italy
    Alluvion, an exhibition of the works of British artist and intellectual Mat Collishaw, curated by Danilo Eccher, will be open to the public at M77 Gallery, Via Mecenate 77, from June 7 to October 15, 2023. Alluvion represents a new landscape modelled by material deposited by floodwaters, just as digital media floods our daily life and changes the social co-ordinates through which we manage communication, making us dependent on a world increasingly mechanised and controlled by technology, an image we find in most of Collishaw’s work. (more…)