New Humans: Memories of the Future will inaugurate the New Museum’s expanded building with an exploration of artists’ enduring preoccupation with what it means to be human in the face of sweeping technological changes. New Humans will trace a diagonal history of the twentieth and twenty-first centuries...

Urbanautica is an independent journal about visual anthropology and cultural landscapes that came from humble beginnings, and has now a spread in 4 continents and thousands of followers.

The monumental installation Calculating Empires impressively demonstrates how power and technology have been intertwined for centuries. The work, by artist-researchers Kate Crawford and Vladan Joler, and has been acquired by Rijksmuseum Twenthe...

Artpil is seeking to expand the team. From contributors to freelance individuals. Whether you are a writer, photographer, designer, art director, we want to hear from you.

LongHouse welcomes the world-renowned Irish American artist Sean Scully into the garden with his colored stack entitled 48, 2024, a work that epitomizes his deliberate use of stripes and color, with gestures toward land, sea, and sky.

“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.

World Press Photo is an independent non-profit organization that champions the power of photojournalism and documentary photography to deepen understanding of the world’s complexities, promote dialogue, and inspire action.

Since 2000, the Fondazione per l’Arte Moderna e Contemporanea CRT has been building a collection of modern and contemporary art for the benefit of the Piedmont community and its museum network, with acquisitions for GAM – Galleria Civica d’Arte Moderna e Contemporanea di Torino and Castello di Rivoli Museo d’Arte Contemporanea.

Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…

This autumn, Larry Achiampong will present his new film Relic 4 (2026) at KARST, revisiting the cinematic universe of the Relic Traveller project after a six-year hiatus. Exploring themes of fallen empire, class, and displacement...

The MIT List Visual Arts Center traces its origins to the Hayden Gallery (founded in 1950), which brought artists and the MIT community together through diverse exhibitions and residency projects.

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

Brassaï is one of the most famous photographers in the history of photography. In the early 1930s, he set out with his camera on long nocturnal walks through Paris. Revolving around this treasure of images, the exhibition “Brassaï – The Secret Signs of Paris” includes over 160 black-and-white photographs.

Fotografiska is an international meeting place where everything revolves around photography. Located in the heart of Stockholm, with additional locations in New York, London and Tallinn...

Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…

A promise binds the one who makes it to the unknown. By linking the present to an uncertain future, it becomes a form of foundation. To promise is to take responsibility for what does not yet exist.

Documenta und Museum Fridericianum gGmbH is a non-profit organization supported and funded by the City of Kassel and the State of Hesse, as well as by the German Federal Cultural Foundation.

Reflecting on loss, resilience and the power of rebuilding, “Forever Marked By The Day: A Quarter Century of Mourning and Renewal” marks 25 years since the attacks on Sept. 11, 2001. Approached through an architectural lens, the exhibition fosters intergenerational dialogue...