There are aspects of memories that we choose to remember, imagining small details that weren’t actually there, or bits that never really occurred, and perhaps now we rely too much on photography to help us make these moments more clear. (more…)
The photographer Francesca Woodman only lived to be 22 years old, but her remarkable body of work has continued to garner increasing renown in the world of contemporary art since her suicide in 1981. Born to an artistic family in Denver – her mother, Betty Woodman, is a sculptor and ceramicist and her father, George Woodman, is a photographer and painter – Woodman moved in New York City in 1979 to begin a career as a photographer. While her work would remain unknown for the entirety of her life, today she is widely celebrated for her black and white depictions of young women, frequently in the nude and blurred by slow shutter speed and long exposure. Woodman made a number of short films as well, along the same aesthetics of her photographs.
Encouraged artistically by her family from a young age, Woodman received her first camera as a gift from her father, and she used it to take most of her photographs. Woodman was also deeply interested in the Surrealist movement and neo-Pictorialism – as seen in the work of fashion photographer Deborah Turbeville – and both movements are evident in the abstraction, motifs, and ghostly air of Woodman’s work.
Woodman’s first retrospective opened at the San Francisco Museum of Modern Art in 2011 and traveled to the Guggenheim in 2012. Additionally, C. Scott Willis directed a documentary on the Woodman family, The Woodmans, which came out in 2010. Woodman’s photographs are in the permanent collections of both the Whitney Museum and the Metropolitan Museum of Art, and prominent artists such as Cindy Sherman continue to cite her as an inspiration for their work.
[from Art Space]