A talented writer and artist during his lifetime, Frank Walter was an eccentric character now considered to be vastly under-recognized. Intellectually brilliant, Walter entertained delusions of aristocratic grandeur, namely the belief that the white slave-owners in his family linked him to the noble houses of Europe. The self-styled “7th Prince of the West Indies, Lord of Follies and the Ding-a-Ding Nook” produced paintings that dealt with race, class, and social identity, as well as abstract explorations of nuclear energy, portraits both real and imagined – including Hitler playing cricket and Prince Charles and Princess Diana as Adam and Eve – and miniature landscapes of Scotland, the country that he fell in love with during a visit in the 1950s or ’60s. Walter typically painted in oil on rudimentary materials, with a marked immediacy and naivety. The first man of color to manage an Antiguan sugar plantation, Walter spent the last 25 years of his life in an isolated shack in Antigua, surrounded by his writings, paintings, and carvings.
A talented writer and artist during his lifetime, Frank Walter was an eccentric character now considered to be vastly under-recognized. Intellectually brilliant, Walter entertained delusions of aristocratic grandeur, namely the belief that the white slave-owners in his family linked him to the noble houses of Europe. The self-styled “7th Prince of the West Indies, Lord of Follies and the Ding-a-Ding Nook” produced paintings that dealt with race, class, and social identity, as well as abstract explorations of nuclear energy, portraits both real and imagined – including Hitler playing cricket and Prince Charles and Princess Diana as Adam and Eve – and miniature landscapes of Scotland, the country that he fell in love with during a visit in the 1950s or ’60s. Walter typically painted in oil on rudimentary materials, with a marked immediacy and naivety. The first man of color to manage an Antiguan sugar plantation, Walter spent the last 25 years of his life in an isolated shack in Antigua, surrounded by his writings, paintings, and carvings.
Tate, in collaboration with Delfina Foundation, invites applications for the Brooks International Fellowship Programme 2027. Now in its thirteenth year, the programme will enable practitioners to work with Tate…
Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…